Canova, Antonio (1757-1822) Autoritratto (Self-portrait) 1792 Oil on canvas, 68 × 54.5 cm Galleria degli Uffizi, Firenze
Autoritratto (1792)
Month: August 2014
Maddalena penitente (1808-1809)
Canova, Antonio (1757-1822) Maddalena penitente (Repentant Mary Magdalene) 1808–1809 Marble, h. 95 cm Hermitage Museum, Saint Petersburg Canova, an outstanding sculptor of the late 18th – early 19th century, the head of the school of Neoclassicism in Rome, did not often…
Napoleone come Marte pacificatore (1803-1806)
Canova, Antonio (1757-1822) Napoleone come Marte pacificatore (Napoleon as Mars the Peacemaker) 1803–1806 Marble, h. 345 cm Wellington Museum, Apsley House, London Commissioned by Napoleon in 1802 this colossal statue of the Emperor was sculpted by Canova in Rome. Completed…
Paolina Borghese Bonaparte come Venere Vincitrice (1804-1808)
Canova, Antonio (1757-1822) Paolina Borghese Bonaparte come Venere Vincitrice (Paolina Borghese Bonaparte as Venus Victrix) 1804–1808 Carrara marble, 160 x 92 cm Galleria Borghese, Roma Portrayed by Antonio Canova in the guise Venus victorious in the Judgement of Paris, Pauline Borghese…
Pauline Bonaparte, Princess Borghese
(1780–1825) Duchess of Guastalla Princess consort of Sulmona and of Rossano Princess of France Pauline Bonaparte in Art: Canova, Antonio (1757-1822) Paolina Borghese Bonaparte come Venere Vincitrice 1804–1808 Galleria Borghese, Roma Pauline Bonaparte in Film: Désirée 1954 Director: Henry Koster Cast: Marlon…
Le tre Grazie (1813-1816)
Canova, Antonio (1757-1822) Le tre Grazie (Three Graces) 1813–1816 Marble, h. 182 cm Hermitage Museum, Saint Petersburg A late work by Canova, The Three Graces was produced at a time when the artist was so famous that the public eagerly awaited…
Amore e Psiche (1800-1803)
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1800–1803 Marble, h. 148 cm Hermitage Museum, Saint Petersburg Entered the Hermitage in 1815; previously in the collection of Jósephine de Beauharnais in the Castle of Malmaison near Paris. By the end…
Amore e Psiche (1796)
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…
Amore e Psiche in piedi (c.1797)
Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Amore e Psiche che si abbracciano (1787-1793)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)