Tag: signature

La Rêveuse (1879)

Renoir, Pierre-Auguste (1841-1919) La Rêveuse (The Dreamer) 1879 Oil on canvas, 51.1 x 61.9 cm Saint Louis Art Museum, St. Louis This vibrant, colorful work depicts a young, unidentified model that Pierre Auguste Renoir painted at his studio in the Montmartre district…

Portrait de Coco (1903-1904)

Renoir, Pierre-Auguste (1841-1919) Portrait de Coco (Portrait of Coco, Claude Renoir) 1903–1904 Oil on canvas, 28.5 x 24 cm Museu de Arte, São Paulo Portrait of Renoir’s third son Claude, nicknamed “Coco,” born in 1901, which points to a dating of the…

L’église de Vétheuil (1880)

Monet, Claude (1840-1926) L’église de Vétheuil (The Church at Vétheuil) 1880 Oil on canvas, 50.5 x 61 cm Southampton City Art Gallery, Southampton Monet moved with his family to Vétheuil in 1878 and despite the death of his wife the following year…

Tête de femme (1939)

Picasso, Pablo (1881-1973) Tête de femme (Head of a Woman) 1939 Oil on wood panel, 59.8 x 45.1 cm Guggenheim Museum, New York © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York See also: • Maar, Dora (1907-1997)

Jeune fille lisant (1880)

Renoir, Pierre-Auguste (1841-1919) Jeune fille lisant (Reading Girl) 1880 Oil on canvas, 57 x 47.5 cm Städel Museum, Frankfurt Renoir, like all Impressionists, was interested in motifs from everyday life. This way he could show his models in private moments: by concentrating…

Dans la vanillère, homme et cheval (1891)

Gauguin, Paul (1848-1903) Dans la vanillère, homme et cheval (In the Vanilla Grove, Man and Horse) 1891 Oil on jute canvas, 73 x 92 cm Guggenheim Museum, New York Prior to his first voyage to Tahiti in 1891, Paul Gauguin claimed—from a…

Portrait de Berthe Morisot (c.1876)

Desboutin, Marcellin (1823-1902) Portrait de Berthe Morisot (Portrait of Berthe Morisot) c.1876 Drypoint, 26.2 x 17.5 cm Rijksmuseum, Amsterdam See also: • Morisot, Berthe (1841-1895)

L’Oise à Pontoise au temps gris (1876)

Pissarro, Camille (1830-1903) L’Oise à Pontoise au temps gris (The Oise in Pontoise in gray weather) 1876 Oil on canvas, 53.5 x 64 cm Museum Boijmans Van Beuningen, Rotterdam Pissarro believed that ‘Everything is suitable for drawing, everything!’ He was true to…