Tag: finger

Madonna Garvagh (c.1510-1511)

Raffaello (1483-1520) Madonna Garvagh / Madonna Aldobrandini (Garvagh Madonna or Aldobrandini) c.1510–1511 Oil on wood, 38.9 × 32.9 cm National Gallery, London This is one of several small and medium-sized Madonnas made by Raphael in the years immediately following his arrival in…

Jeune femme pensive (1855-1860)

Corot, Jean-Baptiste-Camille (1796-1875) Jeune femme pensive (Pensive Young Woman) 1855–1860 Oil on panel mounted to plywood, 31.8 × 23.7 cm Barnes Foundation, Philadelphia While landscapes had become a more lucrative endeavor, Corot continued to paint figures in the studio, mostly out…

Madonna col Bambino (3rd quarter of the 15th century)

Robbia, Luca della (1400-1482) Madonna col Bambino (Madonna and Child) 3rd quarter of the 15th century Terracotta and glazed clay, 53 × 38 cm Kunsthistorisches Museum, Vienna Emotional depictions of the Madonna for domestic worship were very popular in Florence in…

La Destruction du temple de Jérusalem (1635)

Poussin, Nicolas (1594-1665) La Destruction du temple de Jérusalem (The destruction of the Temple at Jerusalem) 1635 Oil on canvas, 147 × 198 cm Kunsthistorisches Museum, Vienna The material is taken from Flavius Josephus’ Jewish War. Titus, the son of the…

Ritratto di Daniele Barbaro (1556-1562)

Veronese, Paolo (1528-1588) Ritratto di Daniele Barbaro (Portrait of Daniele Barbaro) 1556–1562 Oil on canvas, 121 x 105.5 cm Rijksmuseum, Amsterdam Daniele Barbaro was a leading scholar of Aristotelian physics. He is shown in the ecclesiastical garments of a patriarch. Next…

Madonna dell’Umiltà (c.1440)

Angelico, Fra (c.1395-1455) Madonna dell’Umiltà (The Virgin of Humility) c.1440 Tempera on panel, 74 x 52 cm Rijksmuseum, Amsterdam As a Dominican monk, Fra Angelico was not subject to the strict rules of the Florentine painters’ guild. He was thus free…

Pietà (c.1603)

Carracci, Annibale (1560-1609) Pietà c.1603 Oil on copper, 41.3 x 60.7 cm Kunsthistorisches Museum, Vienna Overwhelmed by her helplessness and pain, Mary holds her dead son in her lap. Pale colours and the pathos of marbles by Michelangelo and from antiquity…