Boudin, Eugène (1824-1898) Venise, le Molo (Venice, the Molo) 1895 Oil on canvas, 33.5 x 57 cm National Museum Wales, Cardiff See also: • Venezia (Italia)
Venise, le Molo (1895)
Author: Grace Patane
The Artist’s Wife on the Ottoman (1873)
Scholderer, Otto (1834-1902) The Artist’s Wife on the Ottoman (Luise Scholderer auf der Ottomane) 1873 Oil on canvas, 69 × 82 cm Städel Museum, Frankfurt The artist’s wife is facing sideways towards the viewer and is looking at him in half-profile. Scholderer…
L’été (1873)
Puvis de Chavannes, Pierre (1824-1898) L’été (Summer) 1873 Oil on canvas, 350 × 507 cm Musée d’Orsay, Paris Study: Puvis de Chavannes, Pierre (1824-1898) L’été before 1873 National Gallery, London Compare: Puvis de Chavannes, Pierre (1824-1898) L’été 1891 Cleveland Museum of Art, Cleveland
La Maternité (1901)
Picasso, Pablo (1881-1973) La Maternité (Motherhood) 1901 Oil on fibre board, 100.1 × 72.9 cm National Gallery, London On loan from a private collection. A mother cradles a naked child, its long limbs folded into her embrace as if still in…
Madonna di Manchester (c.1494)
Michelangelo (1475-1564) Madonna di Manchester (Manchester Madonna: The Virgin and Child with Saint John and Angels) c.1494 Tempera on wood, 104.5 × 77 cm National Gallery, London This picture – known as ‘The Manchester Madonna’ since 1857, when it was exhibited in the…
Madonna col Bambino (c.1480-1485)
Lorenzo di Credi (c.1459-1537) Madonna col Bambino (The Virgin and Child) c.1480–1485 Oil on wood, 71.1 × 49.5 cm National Gallery, London The Virgin Mary is seated directly in front of us. Together with swathes of drapery, she covers almost the…
Autoritratto come Santa Caterina d’Alessandria (c.1615-1617)
Gentileschi, Artemisia (1593-c.1653) Autoritratto come Santa Caterina d’Alessandria (Self Portrait as Saint Catherine of Alexandria) c.1615–1617 Oil on canvas, 71.4 × 69 cm National Gallery, London Artemisia Gentileschi, the most celebrated female artist of the seventeenth century, appears in the guise…
Avignon vue de Villeneuve-lès-Avignon (1836)
Corot, Jean-Baptiste-Camille (1796-1875) Avignon vue de Villeneuve-lès-Avignon (Avignon from the West) 1836 Oil on canvas, 34 × 73.2 cm National Gallery, London Corot visited the medieval city of Avignon in the south of France several times. This panoramic view of the city…
Self Portrait aged 24 (1639)
Flinck, Govert (1615-1660) Self Portrait aged 24 1639 Oil on oak, 65.8 × 54.4 cm National Gallery, London Rembrandt was an exacting teacher as well as a great artist – at least, he knew how to school the apprentices who came…
Cristo morto sostenuto da due angeli (c.1465-1470)
Bellini, Giovanni (c.1430-1516) Cristo morto sostenuto da due angeli (The Dead Christ supported by Two Angels) c.1465–1470 Oil on wood, 95 × 71.7 cm National Gallery, London This type of image of Christ after his death – close up, showing his…