Whistler, James Abbott McNeill (1834-1903) Grey and Silver: Chelsea Wharf c.1864–1868 Oil on canvas, 61 x 46 cm National Gallery of Art, Washington See also: • Chelsea (London)
Whistler, James Abbott McNeill (1834-1903) Symphony in White, No. 1: The White Girl 1861–1863, 1872 Oil on canvas, 213 x 107.9 cm National Gallery of Art, Washington When Whistler submitted The White Girl to the Paris Salon in 1863, the tradition–bound…
Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…
Whistler, James Abbott McNeill (1834-1903) The Lime Burner 1859 Etching and drypoint on laid paper, 25.4 x 17.8 cm Victoria and Albert Museum, London During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the…
Whistler, James Abbott McNeill (1834-1903) Arrangement in Grey and Black No. 1: Whistler’s Mother 1871 Oil on canvas, 144.3 x 163 cm Musée d’Orsay, Paris Although an American by nationality, Whistler divided his career between London and Paris. He enrolled in…
Abercromby, Julia (1840-1915) Queen Victoria (after Heinrich von Angeli) 1883 Watercolour, 145.7 x 97.8 cm National Portrait Gallery, London See also: • Victoria, Queen of the United Kingdom (1837-1901)
Munch, Edvard (1863-1944) The Sick Child (Det Syke Barn) 1885–1886 Oil on canvas, 120 x 118.5 cm Nationalgalleriet, Oslo Edvard Munch used a simple composition for this sickbed scene, placing the main image in the centre and to the fore of…
Munch, Edvard (1863-1944) The Scream (Der Schrei) probably 1910 Tempera and oil on cardboard, 83.5 × 66 cm Munch Museum, Oslo 5 things you should know about The Scream Written by: Ute Kuhleman Falck, curator at MUNCH It is one of the…