Cassatt, Mary (1844-1926) Maternal Caress 1890–1891 Drypoint, aquatint and softground etching on paper, 36.83 x 26.82 cm National Museum of Women in the Arts, Washington
Maternal Caress (1890-1891)
Three Studies for Figures at the Base of a Crucifixion (1944)
Bacon, Francis (1909-1992) Three Studies for Figures at the Base of a Crucifixion 1944 Oil paint on 3 boards, each: 94 × 73.7 cm Tate Britain, London © Estate of Francis Bacon. All Rights Reserved, DACS 2025 Francis Bacon titled this…
Study for ‘Portrait of Van Gogh IV’ (1957)
Bacon, Francis (1909-1992) Study for ‘Portrait of Van Gogh IV’ 1957 Oil on canvas, 152.4 × 116.8 cm Tate Britain, London © Estate of Francis Bacon Bacon based this painting on a self-portrait by Vincent Van Gogh which he knew only from…
Self-Portrait (1971)
Bacon, Francis (1909-1992) Self-Portrait 1971 Oil on canvas, 35.5 × 30.5 cm Musée National d’Art Moderne, Paris © The Estate of Francis Bacon. All rights reserved. / DACS, London / ARS, NY 2019 The body has long served as an inspiration for…
Study for a Portrait (1952)
Bacon, Francis (1909-1992) Study for a Portrait 1952 Oil paint and sand on canvas, 66.1 × 56.1 × 1.8 cm Tate Britain, London © Estate of Francis Bacon. All Rights Reserved, DACS 2025 Francis Bacon painted directly onto the raw, unprimed side of the…
Bank of the Oise at Auvers (1890)
Van Gogh, Vincent (1853-1890) Bank of the Oise at Auvers 1890 Oil on canvas, 73 × 90.8 x 3.2 cm Detroit Institute of Arts, Detroit See also: • Auvers-sur-Oise (France)
Four Mona Lisas (1978)
Warhol, Andy (1928-1987) Four Mona Lisas 1978 Acrylic and silkscreen ink on linen, 127 × 101.7 cm Art Institute of Chicago, Chicago © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York Compare: Leonardo da Vinci (1452-1519) La…
Sculpture à être perdue dans la forêt (1932)
Arp, Jean (1886-1966) Sculpture à être perdue dans la forêt (Sculpture to be Lost in the Forest) 1932, cast c.1953–1958 Bronze, 9 × 22.2 × 154 cm, 6 × 12 × 10 cm and 6.5 × 5.5 × 9.3 cm Tate…
La masía (1921-1922)
Miró, Joan (1893-1983) La masía (The Farm) 1921–1922 Oil on canvas, 123.8 x 141.3 x 3.3 cm National Gallery of Art, Washington Miró moved from Barcelona to Paris in 1920, determined to participate in the artistic vanguard of the French capital.…
Oiseau lunaire (1966)
Miró, Joan (1893-1983) Oiseau lunaire (Moon Bird) 1966 Bronze, 234 x 210 x 150 cm Museo Reina Sofía, Madrid In the 1940s, Joan Miró approached sculpture from a similar basic standpoint to that which had first attracted him to the discipline in…