Madonna Bardi (1484-1485)

Botticelli, Sandro (c.1445-1510) Madonna Bardi (Madonna and Child Enthroned) 1484–1485 Tempera on poplar, 185 x 180 cm Gemäldegalerie, Berlin The scheme of composition of the Virgin and Child enthroned, surrounded by saints and viewed in a unified, square picture, became extremely popular…

Madonna del padiglione (c.1490)

Botticelli, Sandro (c.1445-1510) Madonna del padiglione (Madonna of the Pavilion) c.1490 Tempera on panel, diameter 65 cm Pinacoteca Ambrosiana, Milano This splendid tondo by Sandro Botticelli, executed with the tip of a brush with a miniaturistic attention, proposes an apparently conventional religious…

Sant’Agostino nello studio (1480)

Botticelli, Sandro (c.1445-1510) Sant’Agostino nello studio (Saint Augustine in His Study) 1480 Fresco transferred to canvas, 152 x 112 cm Chiesa di Ognissanti, Firenze Compare: Ghirlandaio, Domenico (1448-1494) San Girolamo nello studio 1480 Chiesa di Ognissanti, Firenze     See also: • Augustine of Hippo

Chiesa di Ognissanti (Firenze)

Chiesa di San Salvatore in Ognissanti Built: 1251 Location: Borgo Ognissanti 42, 50123 Firenze Website: https://www.chiesaognissanti.it/ Works of Art: • Botticelli, Sandro (c.1445-1510): Sant’Agostino nello studio (1480) • Ghirlandaio, Domenico (1448-1494): San Girolamo nello studio (1480) See also: • Churches | Firenze (Italia)

Ritratto maschile (c.1470)

Botticelli, Sandro (c.1445-1510) Ritratto maschile (Portrait of a Young Man) c.1470 Oil on panel, 51 x 33.5 cm Galleria Palatina, Palazzo Pitti, Firenze

Ritratto feminile, Bella Simonetta (c.1485)

Botticelli, Sandro (c.1445-1510) Ritratto feminile, Bella Simonetta (Portrait of a Young Woman) c.1485 Tempera on panel, 61 x 40.5 cm Galleria Palatina, Firenze The painting is also known by the title “Bella Simonetta”, based on an early identification of the young…

Natività mistica (1500)

Botticelli, Sandro (c.1445-1510) Natività mistica (Mystic Nativity) 1500 Oil on canvas, 108.6 x 74.9 cm National Gallery, London The infant Christ reaches up towards the Virgin Mary, oblivious of his visitors – the Three Kings on the left and the shepherds on…