Tag: 1481

Annunciazione (1481)

Botticelli, Sandro (c.1445-1510) Annunciazione (Annunciation from San Martino alla Scala) 1481 Detached fresco, 243 x 555 cm Galleria degli Uffizi, Firenze The usual subject of the announcement to the Virgin Mary by archangel Gabriel is set in a renaissance palace, overlooking…

Madonna col Bambino (c.1480-1485)

Lorenzo di Credi (c.1459-1537) Madonna col Bambino (The Virgin and Child) c.1480–1485 Oil on wood, 71.1 × 49.5 cm National Gallery, London The Virgin Mary is seated directly in front of us. Together with swathes of drapery, she covers almost the…

The Virgin and Child with two Angels (1480-1490)

Memling, Hans (c.1430-1494) The Virgin and Child with two Angels 1480–1490 Oil on panel, 36 x 26 cm Museo del Prado, Madrid The Virgin appears seated in a walled garden, an allusion to the hortus conclusus or enclosed garden, which symbolizes…

Madonna col Bambino (c.1480-1490)

Ghirlandaio, Domenico (1448-1494) Madonna col Bambino (The Virgin and Child) c.1480–1490 Tempera on poplar, 88.9 × 57.8 cm National Gallery, London The Christ Child looks up at the Virgin Mary, raising the index finger of his right hand as though he…

Madonna con Bambino e angelo (1475-1485)

Botticelli, Sandro (c.1445-1510) Madonna con Bambino e angelo (Virgin and Child with an Angel) 1475–1485 Tempera on panel, 85.8 × 59.1 cm Art Institute of Chicago, Chicago In this humanizing yet idealized depiction of the Virgin Mary embracing the baby Jesus, Sandro…

Allegoria dell’Abbondanza (c.1480-1485)

Botticelli, Sandro (c.1445-1510) Allegoria dell’Abbondanza (Allegory of Abundance) c.1480–1485 Pen and brown ink, with brown wash, on paper, 31.7 x 25.2 cm British Museum, London Abundance or Autumn; female figure wearing classical dress, holding the hand of a putto who holds…

Baccanale con un tino di vino (c.1470-1490)

Mantegna, Andrea (c.1431-1506) Baccanale con un tino di vino (Bacchanal with a Wine Vat) c.1470–1490 Engraving and drypoint, 29.9 x 43.7 cm Metropolitan Museum of Art, New York Throughout his life, Mantegna was fascinated with classical antiquity. In the middle of…