Tag: 1485

Capo di un giovane che guarda in alto (c.1485)

Pinturicchio (c.1454-1513) Capo di un giovane che guarda in alto (Head of a Youth Looking Up) c.1485 Leadpoint and brown wash, heightened with white gouache on gray prepared paper, 25.5 x 19.5 cm National Gallery of Art, Washington

Virgin and Child (1480-1485)

Memling, Hans (c.1430-1494) Virgin and Child 1480–1485 Oil on wood, diameter 17.5 cm Metropolitan Museum of Art, New York The composition of this small roundel of the Virgin suckling the Christ Child was very popular, disseminated through workshop patterns that date…

Allegoria dell’Abbondanza (c.1480-1485)

Botticelli, Sandro (c.1445-1510) Allegoria dell’Abbondanza (Allegory of Abundance) c.1480–1485 Pen and brown ink, with brown wash, on paper, 31.7 x 25.2 cm British Museum, London Abundance or Autumn; female figure wearing classical dress, holding the hand of a putto who holds…

Death and the Miser (c.1485-1490)

Bosch, Hieronymus (c.1450-1516) Death and the Miser c.1485–1490 Oil on panel, 93 x 31 cm National Gallery of Art, Washington A naked man with ghostly white skin sits upright in a canopied bed set in a narrow room in this tall,…

Ritratto di giovane (c.1485)

Lippi, Filippino (1457-1504) Ritratto di giovane (Portrait of a Youth) c.1485 Oil and tempera on panel, 52.1 x 36.5 cm National Gallery of Art, Washington Filippino Lippi was the son of the painter Fra Filippo Lippi, who was undoubtedly the boy’s first…

Santa Maria Maddalena (c.1482-1485)

Perugino (c.1446-1523) Santa Maria Maddalena (Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of…

Crocifissione (c.1482-1485)

Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…

San Girolamo (c.1482-1485)

Perugino (c.1446-1523) San Girolamo (Saint Jerome) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…