Tag: 1502

Il battesimo di Cristo (1500–1505)

Perugino (c.1446-1523) Il battesimo di Cristo (The Baptism of Christ) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.4 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond,…

La resurrezione (1500-1505)

Perugino (c.1446-1523) La resurrezione (The Resurrection) 1500–1505 Tempera on wood, 27 x 45.7 cm Metropolitan Museum of Art, New York This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large…

San Girolamo penitente (c.1502)

Perugino (c.1446-1523) San Girolamo penitente (Penitent St. Jerome) c.1502 Oil on olive wood, 29.7 × 22.5 cm Kunsthistorisches Museum, Vienna Attributed to Perugino (c.1446-1523) Perugino was one of the first Central Italian painters to experiment with complicated oil glazes. Inspired by the…

The Annunciation (1502-1503)

Dürer, Albrecht (1471-1528) The Annunciation c.1502–1503 Woodcut printed in black ink on white antique laid paper, darkened to cream, 29.8 × 21.1 cm Fogg Museum, Cambridge, MA

Nemesis (c.1502)

Dürer, Albrecht (1471-1528) Nemesis c.1502 Engraving on white antique laid paper, 32.6 × 22.4 cm Fogg Museum, Cambridge, MA

San Domenico (1498-1505)

Botticelli, Sandro (c.1445-1510) San Domenico (Saint Dominic) c.1498–1505 Tempera on canvas (transferred from panel), 44.5 x 26 cm Hermitage Museum, Saint Petersburg Botticelli’s work originally consisted of four parts: the two central ones carrying an Annunciation scene and the side wings with…

Lorenzo de’ Lorenzi

(c.1459–1502) Lorenzo de’ Lorenzi in Art: Botticelli, Sandro (c.1445-1510) Ritratto di Lorenzo de’ Lorenzi c.1492 Philadelphia Museum of Art, Philadelphia     See also: • Firenze (Italia) | Professors

San Sebastiano (c.1502-1503)

Raffaello (1483-1520) San Sebastiano (St. Sebastian) c.1502–1503 Tempera and oil on wood, 45.5 x 36.4 cm Accademia Carrara, Bergamo Originally from Urbino and initially active in Perugino‘s workshop, Raphael worked in Siena, perhaps as a collaborator of Pinturicchio, to then establish…