Tag: 1503

Il battesimo di Cristo (1500–1505)

Perugino (c.1446-1523) Il battesimo di Cristo (The Baptism of Christ) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.4 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond,…

La resurrezione (1500-1505)

Perugino (c.1446-1523) La resurrezione (The Resurrection) 1500–1505 Tempera on wood, 27 x 45.7 cm Metropolitan Museum of Art, New York This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large…

Parmigianino

(1503–1540) Girolamo Francesco Maria Mazzola, called Parmigianino The artist’s works: Santa Barbara 1522 Museo del Prado, Madrid Autoritratto entro uno specchio convesso c.1523–1524 Kunsthistorisches Museum, Vienna Ritratto di un collezionista c.1523 National Gallery, London Uomo che sospende la lettura 1525–1526 Kunsthistorisches Museum, Vienna Visione…

La Tempesta (c.1503-1509)

Giorgione (c.1477-1510) La Tempesta (The Tempest) c.1503–1509 Oil on canvas, 73 x 82 cm Gallerie dell’Accademia, Venezia Attested as part of Gabriele Vendramin’s collection by Marcantonio Michiel in 1530 and later in the sixteenth and seventeenth-century family inventories, The Tempest…

The Annunciation (1502-1503)

Dürer, Albrecht (1471-1528) The Annunciation c.1502–1503 Woodcut printed in black ink on white antique laid paper, darkened to cream, 29.8 × 21.1 cm Fogg Museum, Cambridge, MA

John Frederick I, Elector of Saxony

(1503–1554) John the Magnanimous Elector of Saxony (1532–1547) Duke of Saxony (1547–1554) John Frederick I in Art: Cranach, Lucas the Elder (1472-1553) John Frederick I c.1530s Private Collection     Cranach, Lucas the Elder (1472-1553) & Workshop John Frederick the Magnanimous,…

San Domenico (1498-1505)

Botticelli, Sandro (c.1445-1510) San Domenico (Saint Dominic) c.1498–1505 Tempera on canvas (transferred from panel), 44.5 x 26 cm Hermitage Museum, Saint Petersburg Botticelli’s work originally consisted of four parts: the two central ones carrying an Annunciation scene and the side wings with…