Tag: 1532

Melancholy (1532)

Cranach, Lucas the Elder (1472-1553) Melancholy 1532 Oil on panel, 61 x 97 cm Statens Museum for Kunst, Copenhagen The sixteenth-century artist Lucas Cranach has become very popular in recent years, prompting a steady succession of exhibitions featuring his mysterious images. SMK…

Portrait of Martin Luther (1532)

Cranach, Lucas the Elder (1472-1553) Portrait of Martin Luther 1532 Oil on wood, 37 x 23.5 cm Statens Museum for Kunst, Copenhagen Compare: Cranach, Lucas the Elder (1472-1553) Martin Luther 1525 Bristol Museum & Art Gallery, Bristol     Cranach, Lucas the Elder (1472-1553) Martin…

Ragazzo accovacciato (c.1530-1534)

Michelangelo (1475-1564) Ragazzo accovacciato (Crouching Boy) c.1530–1534 Marble, height: 54 cm Hermitage Museum, Saint Petersburg The Renaissance genius Michelangelo was an outstanding architect and poet, as well as the creator of the celebrated frescoes in the Vatican’s Sistine Chapel. But his…

Portrait of Luther (1532-1533)

Cranach, Lucas the Elder (1472-1553) Portrait of Luther 1532–1533 Oil on panel, 19.5 x 14 cm Hermitage Museum, Saint Petersburg Compare: Cranach, Lucas the Elder (1472-1553) Martin Luther 1525 Bristol Museum & Art Gallery, Bristol     Cranach, Lucas the Elder (1472-1553) Martin…

Due studi per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…

Studio per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Studio per la figura della Vittoria (Study for Figure of Victory on Pectoral Brooch of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.2 × 11 cm Princeton University Art Museum, Princeton…

Figura seduta di Pallade Atena (1531-1535)

Parmigianino (1503-1540) Figura seduta di Pallade Atena (Seated Figure of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 5.8 × 5.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s preliminary ideas…