Tag: 1535

Cupido che fabbrica l’arco (1534-1539)

Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…

Due studi per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…

Studio per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Studio per la figura della Vittoria (Study for Figure of Victory on Pectoral Brooch of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.2 × 11 cm Princeton University Art Museum, Princeton…

Figura seduta di Pallade Atena (1531-1535)

Parmigianino (1503-1540) Figura seduta di Pallade Atena (Seated Figure of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 5.8 × 5.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s preliminary ideas…

Adam (c.1533-1537)

Cranach, Lucas the Elder (1472-1553) Adam c.1533–1537 Oil on panel, 107.5 × 36.4 cm Art Institute of Chicago, Chicago For most of his long career, Lucas Cranach the Elder was court painter to the Elector of Saxony. Although the general placement of…

Eve (c.1533-1537)

Cranach, Lucas the Elder (1472-1553) Eve c.1533–1537 Oil on panel, 107.5 × 36.4 cm Art Institute of Chicago, Chicago For most of his long career, Lucas Cranach the Elder was court painter to the Elector of Saxony. Although the general placement of…