Tag: 1615

Autoritratto come Santa Caterina d’Alessandria (c.1615-1617)

Gentileschi, Artemisia (1593-c.1653) Autoritratto come Santa Caterina d’Alessandria (Self Portrait as Saint Catherine of Alexandria) c.1615–1617 Oil on canvas, 71.4 × 69 cm National Gallery, London Artemisia Gentileschi, the most celebrated female artist of the seventeenth century, appears in the guise…

The Four Rivers of Paradise (c.1615)

Rubens, Peter Paul (1577-1640) The Four Rivers of Paradise c.1615 Oil on canvas, 208 × 283 cm Kunsthistorisches Museum, Vienna According to the conventional interpretation, the four continents are depicted here as female allegoric figures paired with the gods of their…

Saint Francis (c.1615)

Rubens, Peter Paul (1577-1640) Saint Francis c.1615 Oil on panel, 99 × 78.8 cm Art Institute of Chicago, Chicago The Franciscans were among the reformed religious orders whose preaching and teaching activities helped revive the Roman Catholic Church in the Southern…

Autoritratto come suonatrice di liuto (c.1615-1618)

Gentileschi, Artemisia (1593-c.1653) Autoritratto come suonatrice di liuto (Self-Portrait as a Lute Player) c.1615–1618 Oil on canvas, 77.5 x 71.8 cm Wadsworth Atheneum, Hartford Artemisia Gentileschi was one of the leading painters of the seventeenth century thanks to her innovative style, use…

The Abduction of Proserpina (c.1614-1615)

Rubens, Peter Paul (1577-1640) The Abduction of Proserpina c.1614–1615 Oil on canvas, 38 x 67 cm Petit Palais, Paris This study for a large-scale painting that once belonged in England in the collections of the Duke of Marlborough at Blenheim Castle,…

Il gusto (c.1614-1616)

Ribera, Jusepe de (1591-1652) Il gusto (The Sense of Taste) c.1614–1616 Oil on canvas, 113.8 x 88.3 cm Wadsworth Atheneum, Hartford This jolly, somewhat ragged figure is an embodiment of the sense of taste, and perhaps also an allusion to the sin…