Gentileschi, Artemisia (1593-c.1653) Autoritratto come Santa Caterina d’Alessandria (Self Portrait as Saint Catherine of Alexandria) c.1615–1617 Oil on canvas, 71.4 × 69 cm National Gallery, London Artemisia Gentileschi, the most celebrated female artist of the seventeenth century, appears in the guise…
Rubens, Peter Paul (1577-1640) The Four Rivers of Paradise c.1615 Oil on canvas, 208 × 283 cm Kunsthistorisches Museum, Vienna According to the conventional interpretation, the four continents are depicted here as female allegoric figures paired with the gods of their…
Rubens, Peter Paul (1577-1640) The Holy Family with Saints Elizabeth and John the Baptist c.1615 Oil on panel, 114.5 × 91.5 cm Art Institute of Chicago, Chicago With this work, Peter Paul Rubens presented a distinctly human take on the figures of…
Rubens, Peter Paul (1577-1640) Saint Francis c.1615 Oil on panel, 99 × 78.8 cm Art Institute of Chicago, Chicago The Franciscans were among the reformed religious orders whose preaching and teaching activities helped revive the Roman Catholic Church in the Southern…
Gentileschi, Artemisia (1593-c.1653) Autoritratto come suonatrice di liuto (Self-Portrait as a Lute Player) c.1615–1618 Oil on canvas, 77.5 x 71.8 cm Wadsworth Atheneum, Hartford Artemisia Gentileschi was one of the leading painters of the seventeenth century thanks to her innovative style, use…
Rubens, Peter Paul (1577-1640) The Abduction of Proserpina c.1614–1615 Oil on canvas, 38 x 67 cm Petit Palais, Paris
Jordaens, Jacob (1593-1678) Head of Girl c.1615–1620 Oil on oak panel, 38.4 x 29.4 cm Worcester Art Museum, Worcester
Brueghel, Jan the Elder (1568-1625) Paradise Landscape with the Animals Entering Noah’s Ark c.1613–1615 Oil on oak, 61 × 90.2 cm Museum of Fine Arts, Budapest
Ribera, Jusepe de (1591-1652) Il tatto (The Sense of Touch) c.1615–1616 Oil on canvas, 115.9 x 88.3 cm Norton Simon Museum, Pasadena
Ribera, Jusepe de (1591-1652) Il gusto (The Sense of Taste) c.1614–1616 Oil on canvas, 113.8 x 88.3 cm Wadsworth Atheneum, Hartford This jolly, somewhat ragged figure is an embodiment of the sense of taste, and perhaps also an allusion to the sin…