Rembrandt (1606-1669) Man in a Fur-Lined Coat c.1655–1660 Oil on canvas, 114.9 × 88.3 cm Toledo Museum of Art, Toledo Rembrandt’s reputation as one of the greatest artists of the Western world rests largely on his uncanny ability to convey the psychological…
Velázquez, Diego (1599-1660) Retrato de doña Mariana de Austria, reina de España (Portrait of Mariana of Austria, Queen of Spain) 1655–1657 Oil on canvas, 66 x 56 cm Museo Thyssen-Bornemisza, Madrid ©Colección Thyssen-Bornemisza, on loan at the Museu Nacional d’Art de…
Murillo, Bartolomé Esteban (1617-1682) La Adoración de los Reyes Magos (The Adoration of the Magi) c.1655–1660 Oil on canvas, 190.8 x 146.1 cm Toledo Museum of Art, Toledo Bartolomé Esteban Murillo became the leading painter in devoutly Catholic Seville, Spain, from…
Murillo, Bartolomé Esteban (1617-1682) Ecce Agnus Dei (Saint John the Baptist Pointing to Christ) c.1655 Oil on canvas, 270.2 × 184.5 cm Art Institute of Chicago, Chicago This is one of four large canvases devoted to the life of Saint John…
Murillo, Bartolomé Esteban (1617-1682) Magdalena penitente (Penitent Magdalene) c.1650–1665 Oil on canvas, 123.2 x 108 cm Minneapolis Institute of Art, Minneapolis Tradition holds that Saint Mary Magdalene, a close follower of Jesus Christ, retreated to a cave in penitence during…
Hals, Frans (c.1582-1666) Frans Post c.1655 Oil on panel, 27.5 x 23 cm Worcester Art Museum, Worcester Hals is best known for the life-like quality he gave to his subjects through innovative composition and spirited brushwork. The subject of this portrait is…
Murillo, Bartolomé Esteban (1617-1682) Dos mujeres en la ventana (Two Women at a Window) c.1655–1660 Oil on canvas, 125.1 x 104.5 cm National Gallery of Art, Washington Seville‘s most popular painter in the later 17th century was Bartolomé Esteban Murillo. While…
Cagnacci, Guido (1601-1663) La Morte di Cleopatra (The Death of Cleopatra) c.1645–1655 Oil on canvas, 95 × 75 cm Metropolitan Museum of Art, New York The subject, from Plutarch’s Lives (1st century A.D.), is Cleopatra’s suicide by an asp bite following the…
Guercino (1591-1666) Il ritorno del figliol prodigo (The Return of the Prodigal Son) 1654–1655 Oil on canvas, 155.6 x 146.1 cm Timken Museum of Art, San Diego The parable depicted by Il Guercino (a nickname meaning “squint-eyed”) is the one most…
Velázquez, Diego (1599-1660) Felipe IV, orante (Philip IV in prayer) c.1655 Oil on canvas, 209 x 147 cm Museo del Prado, Madrid This pair of portraits (P001220 and P001222) combines several aspects of Spanish portraiture of the Baroque period. In…