Rembrandt (1606-1669) Man in a Fur-Lined Coat c.1655–1660 Oil on canvas, 114.9 × 88.3 cm Toledo Museum of Art, Toledo Rembrandt’s reputation as one of the greatest artists of the Western world rests largely on his uncanny ability to convey the psychological…
Post, Frans (1612-1680) Plantation Settlement in Brazil 1656 Oil on panel, 36.9 x 54 cm Museo Thyssen-Bornemisza, Madrid ©Carmen Thyssen Collection This panoramic view of a plantation settlement in Brazil was recollected by Frans Post one dozen years after he had…
Velázquez, Diego (1599-1660) Retrato de doña Mariana de Austria, reina de España (Portrait of Mariana of Austria, Queen of Spain) 1655–1657 Oil on canvas, 66 x 56 cm Museo Thyssen-Bornemisza, Madrid ©Colección Thyssen-Bornemisza, on loan at the Museu Nacional d’Art de…
Murillo, Bartolomé Esteban (1617-1682) La Adoración de los Reyes Magos (The Adoration of the Magi) c.1655–1660 Oil on canvas, 190.8 x 146.1 cm Toledo Museum of Art, Toledo Bartolomé Esteban Murillo became the leading painter in devoutly Catholic Seville, Spain, from…
Post, Frans (1612-1680) Brazilian Landscape 1656 Oil on panel, 41.6 x 55.9 cm Wadsworth Atheneum, Hartford This imagined landscape depicts enslaved Africans resting and dancing amid baskets of fruit on a hill above a broad plain of coastal swamp, surrounded by…
Murillo, Bartolomé Esteban (1617-1682) Magdalena penitente (Penitent Magdalene) c.1650–1665 Oil on canvas, 123.2 x 108 cm Minneapolis Institute of Art, Minneapolis Tradition holds that Saint Mary Magdalene, a close follower of Jesus Christ, retreated to a cave in penitence during…
Murillo, Bartolomé Esteban (1617-1682) Dos mujeres en la ventana (Two Women at a Window) c.1655–1660 Oil on canvas, 125.1 x 104.5 cm National Gallery of Art, Washington Seville‘s most popular painter in the later 17th century was Bartolomé Esteban Murillo. While…
Rembrandt (1606-1669) Portrait of Hendrickje Stoffels probably 1654–1656 Oil on canvas, 101.9 x 83.7 cm National Gallery, London Something doesn’t quite add up about this mysterious portrait. The sitter – Rembrandt did not identify her – has an almost regal…
Rembrandt (1606-1669) Portrait of a Boy c.1655–1660 Oil on canvas, 64.8 x 55.9 cm Norton Simon Museum, Pasadena In its unfinished state, this exceptional picture offers invaluable insight into Rembrandt’s working method. Over the rich, dark ground, the body and…
Rembrandt (1606-1669) Titus van Rijn, the Artist’s Son, Reading c.1656–1657 Oil on canvas, 71.5 × 64.5 cm Kunsthistorisches Museum, Vienna Titus van Rijn was born in 1641 and was the only one of Rembrandt‘s four children and his first wife…