Rembrandt (1606-1669) Man in a Fur-Lined Coat c.1655–1660 Oil on canvas, 114.9 × 88.3 cm Toledo Museum of Art, Toledo Rembrandt’s reputation as one of the greatest artists of the Western world rests largely on his uncanny ability to convey the psychological…
Giordano, Luca (1634-1705) Quattro donne che fanno musica (Four Women making Music) 1658–1660 Oil on canvas, 57 x 101.5 cm Rijksmuseum, Amsterdam On loan from the Koninklijk Kabinet van Schilderijen Mauritshuis, May 1948. Four young women making music. Busts. The two…
(1610–1658) Duke of Modena and Reggio (1629-1658) Francesco I in Art: Bernini, Gian Lorenzo (1598-1680) Busto del Duca Francesco I d’Este 1650–1651 Galleria Estense, Modena Velázquez, Diego (1599-1660) Retrato de Francisco I de Este 1638 Galleria Estense, Modena …
Murillo, Bartolomé Esteban (1617-1682) La Adoración de los Reyes Magos (The Adoration of the Magi) c.1655–1660 Oil on canvas, 190.8 x 146.1 cm Toledo Museum of Art, Toledo Bartolomé Esteban Murillo became the leading painter in devoutly Catholic Seville, Spain, from…
Poussin, Nicolas (1594-1665) Orion aveugle à la recherche du soleil levant (Blind Orion Searching for the Rising Sun) 1658 Oil on canvas, 119.1 x 182.9 cm Metropolitan Museum of Art, New York Classical myth provided Poussin with a pretext for one…
Murillo, Bartolomé Esteban (1617-1682) Magdalena penitente (Penitent Magdalene) c.1650–1665 Oil on canvas, 123.2 x 108 cm Minneapolis Institute of Art, Minneapolis Tradition holds that Saint Mary Magdalene, a close follower of Jesus Christ, retreated to a cave in penitence during…
Murillo, Bartolomé Esteban (1617-1682) Dos mujeres en la ventana (Two Women at a Window) c.1655–1660 Oil on canvas, 125.1 x 104.5 cm National Gallery of Art, Washington Seville‘s most popular painter in the later 17th century was Bartolomé Esteban Murillo. While…
Rembrandt (1606-1669) Portrait of a Boy c.1655–1660 Oil on canvas, 64.8 x 55.9 cm Norton Simon Museum, Pasadena In its unfinished state, this exceptional picture offers invaluable insight into Rembrandt’s working method. Over the rich, dark ground, the body and…
Rembrandt (1606-1669) Portrait of a Lady with an Ostrich-Feather Fan c.1656–1658 Oil on canvas transferred to canvas, 99.5 x 83 cm National Gallery of Art, Washington There is little doubt that these two portraits by Rembrandt van Rijn (see also NGA…
Rembrandt (1606-1669) Portrait of a Gentleman with a Tall Hat and Gloves c.1656–1658 Oil on canvas transferred to canvas, 99.5 x 82.5 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van…