Van der Heyden, Jan (1637-1712) View of the Oude Delft Canal, Delft c.1660 Oil on cradled plywood panel, transferred from oak panel, 55.2 × 70.8 cm Detroit Institute of Arts, Detroit See also: • Delft (Netherlands)
Van der Heyden, Jan (1637-1712) The Stone Bridge c.1660–1672 Oil on panel, 37 x 44.5 cm Rijksmuseum, Amsterdam This work depicts an imaginary canal. While it is clearly inspired by Amsterdam models, Jan van der Heyden gave it his own twist.…
Van der Heyden, Jan (1637-1712) A View in Cologne c.1660–1665 Oil on oak, 33.1 x 42.9 cm National Gallery, London This is one of at least four versions that Jan van der Heyden made of this scene of Cologne and its half-built…
Van der Heyden, Jan (1637-1712) View of the Westerkerk, Amsterdam probably 1660 Oil on oak, 90.7 x 114.5 cm National Gallery, London This is one of the ultimate seventeenth-century examples of what today we might think of as a high-resolution image.…
Giordano, Luca (1634-1705) San Sebastiano curato da Irene (Saint Sebastian Tended by Irene and Her Companions) c.1660 Oil on canvas, 151.1 x 199.1 cm Wadsworth Atheneum, Hartford
Murillo, Bartolomé Esteban (1617-1682) Dos mujeres en la ventana (Two Women at a Window) c.1655–1660 Oil on canvas, 125.1 x 104.5 cm National Gallery of Art, Washington Seville‘s most popular painter in the later 17th century was Bartolomé Esteban Murillo. While…
Murillo, Bartolomé Esteban (1617-1682) Cristo en la cruz (Christ on the Cross) 1660–1670 Oil on canvas, 208.9 x 113 cm Timken Museum of Art, San Diego In this late painting by Bartolomé Estebán Murillo, the luminous figure of Christ appears against…
Cagnacci, Guido (1601-1663) Morte di Cleopatra (Death of Cleopatra) 1660–1662 Oil on canvas, 120 x 158 cm Pinacoteca di Brera, Milano Compare: Cagnacci, Guido (1601-1663) La Morte di Cleopatra c.1645–1655 Metropolitan Museum of Art, New York Cagnacci, Guido (1601-1663) Morte di…
Rembrandt (1606-1669) Venus and Cupid after 1660 Oil on canvas, 118 x 90 cm Musée du Louvre, Paris Former title: Hendrickje Stoffels as Venus For vague reasons of resemblance, the painting passes, a pure supposition of Bredius (1910), to represent…
Rembrandt (1606-1669) Self-Portrait at an Easel 1660 Oil on canvas, 111 x 85 cm Musée du Louvre, Paris One of Rembrandt‘s large self-portraits with those of Vienna (1652), the Frick Collection in New York (1658) and Kenwood (c.1665–1669), all late…