Tag: 1758

Self-Portrait when Young (1753-1758)

Reynolds, Joshua (1723-1792) Self-Portrait when Young 1753–1758 Oil on canvas, 73.7 x 61.6 cm Tate Britain, London This self-portrait was probably painted soon after Reynolds set up a studio in London in 1753. He had spent the previous three years studying art…

La fortezza di Königstein vista da Nord (1756-1758)

Bellotto, Bernardo (1721-1780) La fortezza di Königstein vista da Nord (The Fortress of Königstein from the North) 1756–1758 Oil on canvas, 132.1 × 236.2 cm National Gallery, London Sharp and angular, the Saxon fortress of Königstein, about 25 miles southeast of…

Veduta di Pirna con la Fortezza di Sonnenstein (1755-1765)

Bellotto, Bernardo (1721–1780) Veduta di Pirna con la Fortezza di Sonnenstein (View of Pirna with the Fortress of Sonnenstein) 1755–1765 Oil on canvas, 49.3 × 79.5 cm Art Institute of Chicago, Chicago See also: • Pirna (Germany) | Saxony | Sonnenstein Castle (Pirna)

Donna con mandolino (1755-1760)

Tiepolo, Giambattista (1696-1770) Donna con mandolino (Woman with a Mandolin) 1755–1760 Oil on canvas, 93.7 × 75 cm Detroit Institute of Arts, Detroit Tiepolo‘s work reflects the culmination of the baroque tradition in Venice. In this painting the artist celebrated the…

Maximilien de Robespierre

(1758–1794) Maximilien François Marie Isidore de Robespierre Works: • Carnet de Robespierre trouvé sur lui au moment de son arrestation (French) • Discours par Maximilien Robespierre, 17 Avril 1792-27 Juillet 1794 (French) • Discours par Maximilien Robespierre, 21 octobre 1789-1er…

Vista di Vienna dal Belvedere (1758-1761)

Bellotto, Bernardo (1721-1780) Vista di Vienna dal Belvedere (Vienna Viewed from the Belvedere Palace) 1758–1761 Oil on canvas, 135 × 213 cm Kunsthistorisches Museum, Vienna This view of Vienna from the Upper Belvedere Palace, the summer palace of Prince Eugene of…

Portrait of a Clergyman (1756-1760)

Reynolds, Joshua (1723-1792) Portrait of a Clergyman 1756–1760 Oil on canvas, 77 x 64 cm Museo del Prado, Madrid This is an early work by Reynolds. It lacks the verve and brilliance of his later output but is imbued with a…