Géricault, Théodore (1791-1824) Course de chevaux (Horse Race) c.1817 Oil on paper mounted on canvas, 44 x 59 cm Museo Thyssen-Bornemisza, Madrid Théodore Géricault was from a wealthy Rouen family that moved to Paris in 1796 for professional reasons. Géricault was…
Géricault, Théodore (1791-1824) Le baiser (The Kiss) c.1816–1817 Charcoal, wash and gouache on brown paper, 20 x 27.4 cm Museo Thyssen-Bornemisza, Madrid Having failed to win the Academy prize that would finance a study trip to Italy, in 1816 Géricault decided…
David, Jacques-Louis (1748-1825) Cupidon et Psyché (Cupid and Psyche) 1817 Oil on canvas, 184.2 x 241.6 cm Cleveland Museum of Art, Cleveland Jacques-Louis David included two butterflies in this painting: one above the slumbering Psyche and the other on the base…
Géricault, Théodore (1791-1824) Satyre et nymphe (Satyr and Nymph) 1817 Black chalk with brown wash and white gouache, 22.2 x 18.2 cm Princeton University Art Museum, Princeton
Constable, John (1776-1837) A cottage in a cornfield 1817 Oil on canvas, 31.5 x 26.3 cm National Museum Wales, Cardiff
Ingres, Jean Auguste Dominique (1780-1867) Études (Studies of a Head of a Man, Hands of Saint John for Christ Offering Saint Peter the Keys to Paradise, and Hooded Capuchin monk) c.1817–1820 Oil on canvas, 45.1 x 32.4 cm Rhode Island…
Goya, Francisco de (1746-1828) Disparate de bestia (Animal Folly) 1816–1824 (published 1877) Etching and aquatint on paper, 24.6 x 35.6 cm Rhode Island School of Design, Providence
Goya, Francisco de (1746-1828) Disparate de tontos (Fool’s Folly) c.1815–1823, printed posthumously before 1877 Etching and aquatint, 24.1 x 35.2 cm Philadelphia Museum of Art, Philadelphia
Canova, Antonio (1757-1822) Venere e Marte (Venus and Mars) 1817–1822 Marble, 208 x 137 x 65.5 cm Royal Collection, Buckingham Palace, London
Canova, Antonio (1757-1822) Teseo e il centauro (Theseus and the Centaur) 1804–1819 Marble, h. 340 cm Kunsthistorisches Museum, Vienna
You must be logged in to post a comment.