Géricault, Théodore (1791-1824) Le four à plâtre (The plaster oven) 1822–1823 Oil on canvas, 50 x 61 cm Musée du Louvre, Paris
Le four à plâtre (1822-1823)
Tag: 1822
The Lock (c.1820-1825)
Constable, John (1776-1837) The Lock (Landscape) c.1820–1825 Oil on canvas, 71.5 x 92 cm Art Institute of Chicago, Chicago Attributed to John Constable.
Cloud Study: Stormy Sunset (1821-1822)
Constable, John (1776-1837) Cloud Study: Stormy Sunset 1821–1822 Oil on paper on canvas, 20.3 x 27.3 cm National Gallery of Art, Washington This horizontal painting is filled with gray and white clouds against a blue sky. Wisps of white clouds are interspersed…
La forge du village (c.1822)
Géricault, Théodore (1791-1824) La forge du village (The Village Forge) c.1822 Oil on canvas, 50.7 x 61.2 cm Wadsworth Atheneum, Hartford
Rosa Bonheur
(1822–1899) Marie-Rosalie Bonheur The artist’s works: Brebis tondue modeled c.1842, cast probably before 1891 Metropolitan Museum of Art, New York Bélier c.1845–1850 Indianapolis Museum of Art, Indianapolis Boeuf couché modeled 1846 Metropolitan Museum of Art, New York Taureau qui marche modeled 1846 Metropolitan Museum…
Edmond de Goncourt
(1822–1896) Edmond Louis Antoine Huot de Goncourt Works: • Germinie Lacerteux (English) • Germinie Lacerteux (French) • Histoire de Marie-Antoinette (French) • Hokousaï, L’art japonais au XVII Siècle (French) • Journal des Goncourt, premier volume (French) • Journal des Goncourt,…
Miguel Fernández Flores
(1764–1822) Friar Fernández Flores in Art: Goya, Francisco de (1746-1828) Fray Miguel Fernández Flores 1815 Worcester Art Museum, Worcester
Heinrich Schliemann
(1822–1890) Johann Ludwig Heinrich Julius Schliemann Works: • Mycenæ: a narrative of researches and discoveries at Mycenæ and Tiryns (English) • Troy and Its Remains (English) Born January 6 1822 Neubukow (Germany) Died December 26 1890 Napoli (Italia) Wife (1852–1869) Ekaterina…
La Vénus couchée d’Urbino, d’après le Titien (1822)
Ingres, Jean Auguste Dominique (1780-1867) La Vénus couchée d’Urbino, d’après le Titien (Reclining Venus of Urbino, after Titian) 1822 Oil on canvas, 116 x 168 cm Walters Art Museum, Baltimore Compare: Tiziano (c.1488-1576) Venere di Urbino 1538 Galleria degli Uffizi, Firenze
Disparate de bestia (1816-1824)
Goya, Francisco de (1746-1828) Disparate de bestia (Animal Folly) 1816–1824 (published 1877) Etching and aquatint on paper, 24.6 x 35.6 cm Rhode Island School of Design, Providence