Tag: 1840

Alphonse Daudet

(1840–1897) Louis Marie Alphonse Daudet Daudet’s Grave at Père Lachaise Cemetery, Paris. Windmill of Alphonse Daudet. Works: • Artists’ Wives (English) • Cartas de mi molino (Spanish) • Contes de lundi (French) • Fromont and Risler (English) • Jack (English)…

The Storm (1840-1845)

Turner, Joseph Mallord William (1775-1851) The Storm 1840–1845 Oil on canvas, 54.6 × 77 × 7.4 cm Princeton University Art Museum, Princeton This seascape of 1840–45 and its companion picture, ‘The morning after the storm’, were apparently inspired by the great storm of 21…

The morning after the storm (c.1840-1845)

Turner, Joseph Mallord William (1775-1851) The morning after the storm c.1840–1845 Oil on canvas, 32.6 x 54.4 cm National Museum Wales, Cardiff This seascape of 1840–45 and its companion picture, ‘The Storm‘, were apparently inspired by the great storm of 21…

Odilon Redon

(1840–1916) Bertrand Redon The artist’s works: Village au bord de la mer en Bretagne c.1880 National Gallery of Art, Washington Village breton c.1890 National Gallery of Art, Washington Sita c.1893 Art Institute of Chicago, Chicago Femme voilée c.1895–1900 Kröller-Müller Museum, Otterlo Profile de femme…

L’Odalisque à l’esclave (1839-1840)

Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1839–1840 Oil on canvas, 72.1 x 100.3 cm Fogg Museum, Cambridge, MA Compare: Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave 1842 Walters Art Museum, Baltimore    

Leconte de Lisle (c.1840-1841)

Millet, Jean-François (1814-1875) Leconte de Lisle c.1840–1841 Oil on canvas, 117 x 81 cm National Gallery of Art, Washington See also: • Leconte de Lisle, Charles (1818-1894)

Rockets and Blue Lights (1840)

Turner, Joseph Mallord William (1775-1851) Rockets and Blue Lights (Close at Hand) to Warn Steamboats of Shoal Water 1840 Oil on canvas, 92.1 x 122.2 cm Clark Art Institute, Williamstown

Souvenirs (1840)

Daumier, Honoré (1808-1879) Souvenirs (Memories) 1840 Hand-coloured lithograph and gum arabic on buff paper, 26.8 × 81 cm National Gallery of Victoria, Melbourne