Tag: 1867

Paolo and Francesca da Rimini (1867)

Rossetti, Dante Gabriel (1828-1882) Paolo and Francesca da Rimini 1867 Watercolour and gouache on paper, 43.7 cm x 36.1 cm National Gallery of Victoria, Melbourne Compare: Rossetti, Dante Gabriel (1828-1882) Paolo and Francesca da Rimini 1855 Tate Britain, London     See also:…

Luigi Pirandello

(1867–1936) Works: • A vilanza (la bilancia); Cappiddazzu paga tuttu (Italian) • Cappidazzu paga tuttu (Italian) • Come prima meglio di prima (Italian) • Enrico IV (Italian) • L’innesto (Italian) • L’umorismo (Italian) • La ragione degli altri (Italian) •…

Beata Beatrix (c.1864-1870)

Rossetti, Dante Gabriel (1828-1882) Beata Beatrix c.1864–1870 Oil on canvas, 86.4 x 66 cm Tate Britain, London Dante Gabriel Rossetti identified closely with the medieval poet Dante Alighieri. Rossetti saw his own despair at the death of his wife, the artist and…

Lady Lilith (1867)

Rossetti, Dante Gabriel (1828-1882) Lady Lilith 1867 Watercolor and gouache, 51.3 x 44 cm Metropolitan Museum of Art, New York Fascinated by women’s physical allure, Rossetti here imagines a legendary femme fatale as a self-absorbed nineteenth-century beauty who combs her hair…

Les Demoiselles de Village (1866-1870)

Bracquemond, Félix (1833-1914) Les Demoiselles de Village (Young Ladies of the Village) 1866–1870 Etching on laid paper, 23.8 x 33.5 cm Rhode Island School of Design, Providence Compare: Courbet, Gustave (1819-1877) Jeunes femmes du village 1851–1852 Metropolitan Museum of Art, New York  …

Portrait de Mlle Quivoron (1860-1914)

Bracquemond, Marie (1840-1916) Portrait de Mlle Quivoron (Portrait of Mlle Quivoron) 1860–1914 Etching, drypoint, 39 × 26.5 cm Metropolitan Museum of Art, New York This is a portrait of Louise, Marie Bracquemond‘s sister, who lived with the artist and her husband…

Les deux confrères, Avocats (1865-1870)

Daumier, Honoré (1808-1879) Les deux confrères, Avocats (The Two Colleagues, Lawyers) 1865–1870 Watercolor on paper, 25.4 × 19.8 cm Brooklyn Museum, New York The approximately four thousand lithographic caricatures that Honoré Daumier produced were widely circulated in nineteenth-century Paris, where they…