Pissarro, Camille (1830-1903) Les côteaux de l’Hermitage, Pontoise (The Hermitage at Pontoise) c.1867 Oil on canvas, 150.3 x 200 cm Guggenheim Museum, New York The view represented here is a winding village path at the base of a cluster of houses…
Pissarro, Camille (1830-1903) Vue de l’Hermitage, Côte de Jalais, Pontoise (View of l’Hermitage, Jalais Hills, Pontoise) c.1867 Oil on canvas, 70 x 100 cm Private collection See also: • Hermitage (Pontoise)
Monet, Claude (1840-1926) Jardin à Sainte-Adresse (Garden at Sainte-Adresse) 1867 Oil on canvas, 98.1 x 129.9 cm Metropolitan Museum of Art, New York Monet spent the summer of 1867 with his family at Sainte-Adresse, a seaside resort near Le Havre. It was…
Bazille, Frédéric (1841-1870) Les lauriers roses (The Terrace at Méric) 1867 Oil on canvas, 55.2 x 91.4 cm Cincinnati Art Museum, Cincinnati See also: • Castelnau-le-Lez (France) | Des Hours, Thérèse
Bazille, Frédéric (1841-1870) L’Atelier de la rue Visconti (Bazille’s Studio of The Rue Visconti) 1867 Oil on canvas, 64.77 × 48.26 cm Virginia Museum of Fine Arts, Richmond In 1862, Bazille moved from Montpellier to Paris. There, he befriended Monet, Renoir, and…
Bazille, Frédéric (1841-1870) Les remparts d’Aigues-Mortes (The Ramparts at Aigues-Mortes) 1867 Oil on canvas, 46 x 75.50 cm Musée Fabre, Montpellier Although he never painted the coastline, Bazille was fascinated by the play of light and water, to which he devoted most…
Bazille, Frédéric (1841-1870) Porte de la Reine à Aigues-Mortes (Porte de la Reine at Aigues-Mortes) 1867 Oil on canvas, 80.6 x 99.7 cm Metropolitan Museum of Art, New York During the late spring of 1867 Bazille visited the town of Aigues-Mortes near…
Bazille, Frédéric (1841-1870) Nature morte au héron (Still Life with Heron) 1867 Oil on canvas, 98 x 78 cm Musée Fabre, Montpellier The classic theme of the hunting trophy, revisited in their time by Impressionist painters, was the subject of joint workshop…
Bazille, Frédéric (1841-1870) Les remparts d’Aigues-Mortes (The Ramparts at Aigues-Mortes) 1867 Oil on canvas, 60 x 100 cm National Gallery of Art, Washington From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall…