Tissot, James (1836-1902) Matin de printemps (Spring Morning) c.1875 Oil on canvas, 55.9 x 42.5 cm Metropolitan Museum of Art, New York The light on this spring day is so bright that the woman shields her eyes from the glare. She…
Bracquemond, Félix (1833-1914) Portrait d’Alphonse Legros (Portrait of Alphonse Legros) 1875 Etching, 16.7 × 11.7 cm Metropolitan Museum of Art, New York Ever the restless printmaker, fourteen years after producing a portrait of his friend Alphonse Legros, Bracquemond modified the copper plate…
Bracquemond, Marie (1840-1916) Portrait de Mlle Quivoron (Portrait of Mlle Quivoron) 1860–1914 Etching, drypoint, 39 × 26.5 cm Metropolitan Museum of Art, New York This is a portrait of Louise, Marie Bracquemond‘s sister, who lived with the artist and her husband…
Pissarro, Camille (1830-1903) Chemin montant, rue de la Côte-du-Jalet, Pontoise (The Climb, Rue de la Côte-du-Jalet, Pontoise) 1875 Oil on canvas, 54 x 65.7 cm Brooklyn Museum, New York In this painting, Camille Pissarro departs from the legible perspectives of traditional…
Manet, Édouard (1832-1883) L’Amazone (The Equestrienne) c.1875–1876 Watercolor on paper, 20.8 x 27 cm Brooklyn Museum, New York In the mid-nineteenth century, the term amazone mockingly referred to fashionable Parisian women who preferred to ride on horseback instead of inside a…
Sisley, Alfred (1839-1899) La Terrasse à Saint-Germain, Printemps (The Terrace at Saint-Germain, Spring) 1875 Oil on canvas, 73.6 x 99.6 cm Walters Art Museum, Baltimore See also: • Saint-Germain-en-Laye (France)
Renoir, Pierre-Auguste (1841-1919) Avant le bain (Before the Bath) c.1875 Oil on canvas, 82 x 66.5 cm Barnes Foundation, Philadelphia When Renoir first exhibited this painting publicly, at an 1875 auction in Paris, audiences were shocked by its naturalism. Rather than…
Renoir, Pierre-Auguste (1841-1919) La Famille Henriot (Henriot Family) c.1875 Oil on canvas, 115.6 x 164.1 cm Barnes Foundation, Philadelphia Daytrips to the countryside around Paris became a popular form of leisure during the late 19th century. Renoir alludes to this kind…