Degas, Edgar (1834-1917) Au Louvre: Musée des Antiques (At the Louvre: Antiquities Museum) 1879–1880 Etching and drypoint on paper, 27 x 23.6 cm Rijksmuseum, Amsterdam Mary Cassatt is leaning elegantly on an umbrella looking at an Etruscan burial image in a…
Renoir, Pierre-Auguste (1841-1919) Jeune femme lisant un journal illustré (Young Woman Reading an Illustrated Journal) c.1880 Oil on canvas, 46.4 x 57.1 cm Rhode Island School of Design, Providence
Bonheur, Rosa (1822-1899) La Ferme à l’entrée du bois (The Farm at the Entrance of the Wood) 1860–1880 Oil on fabric, 28.4 x 40.3 cm Cleveland Museum of Art, Cleveland Bonheur‘s artistic work led her to pastures, fairs, and even slaughterhouses—unlikely…
Hunt, William Holman (1827-1910) The Triumph of the Innocents 1876–1887 Oil on canvas, 157.5 × 247.5 cm Walker Art Gallery, Liverpool Mary and the infant Christ on the donkey are being led on their nocturnal flight to Egypt by Joseph. They…
Hunt, William Holman (1827-1910) Portrait of Mrs Edith Holman Hunt 1880 Chalk and pastel on paper, 42.8 x 33.8 cm Tate Britain, London Edith Holman Hunt was the artist’s second wife, the sister of his first wife Fanny. It was a…
Cormon, Fernand (1845-1924) Caïn 1880 Oil on canvas, 400 x 700 cm Musée d’Orsay, Paris This painting illustrates the miserable destiny of Cain, the elder son of Adam and Eve, who after the murder of his younger brother Abel was condemned…
Sisley, Alfred (1839-1899) Sur les collines de Moret au printemps, matin (On the Hills of Moret in Spring, Morning) 1880 Oil on canvas, 65 x 92.2 cm Princeton University Art Museum, Princeton Like many Impressionists, Sisley painted in villages on the…
Rodin, Auguste (1840-1917) La Danaïde (Danaid) 1880s, carved 1903–1904 Marble, 23 x 40 x 26 cm Princeton University Art Museum, Princeton The Danaids of Greek mythology were the fifty daughters of Danaus; married to a group of brothers, they murdered their…
Burne-Jones, Edward (1833-1898) The Golden Stairs 1880 Oil on canvas, 269.2 x 116.8 cm Tate Britain, London This painting is an example of Burne-Jones’s interest in investigating a mood rather than telling a story. He deliberately made his pictures mysterious and…
Rossetti, Dante Gabriel (1828-1882) The Salutation of Beatrice 1880–1882 Oil on canvas, 154.3 × 91.4 cm Toledo Museum of Art, Toledo The woman in this painting embodies the Pre-Raphaelite ideal of beauty with her pale face, full lips, and thick, wavy,…