Rodin, Auguste (1840-1917) Eve modeled 1881, cast 1910 Bronze, 174 × 52.1 × 59.7 cm Metropolitan Museum of Art, New York Rodin intended Eve and the towering Adam to flank his monumental bronze doorway, The Gates of Hell. There, the biblical…
Seurat, Georges (1859-1891) Herbeux berge de rivière (Grassy Riverbank) 1881–1882 Oil on canvas, 32.7 × 40.64 cm Dallas Museum of Art, Dallas In 1881 and 1882, Georges Seurat spent hours along the shores of the River Seine, northwest of Paris.…
Renoir, Pierre-Auguste (1841-1919) La Baigneuse (The Bather) c.1880–1881 Chalk on paper mounted on board, 84.535 x 65.5 cm Dallas Museum of Art, Dallas This is among the most important surviving drawings by Renoir. It relates, without question, to the famous…
Morisot, Berthe (1841-1895) Eugène Manet et sa fille à Bougival (Eugène Manet and His Daughter at Bougival) 1881 Oil on canvas, 73 x 92 cm Musée Marmottan Monet, Paris See also: • Bougival (France) | Eugène Manet (1833-1892) | Julie Manet (1878-1966)
Monet, Claude (1840-1926) Alice Hoschedé au jardin (Alice Hoschedé in the Garden) 1881 Oil on canvas, 81 x 65 cm Private collection Monet‘s magnificent depiction of his garden at Vétheuil exemplifies the visual splendor of Impressionism at its height. Monet…
Renoir, Pierre-Auguste (1841-1919) Fillette au chapeau bleu (Girl with Blue Hat) 1881 Oil on canvas, 40 x 35 cm Private collection See also: • Henriot, Jane (1878-1900)
Renoir, Pierre-Auguste (1841-1919) Nature morte avec pêches et raisins (Still Life with Peaches and Grapes) 1881 Oil on canvas, 54 x 65.1 cm Metropolitan Museum of Art, New York Renoir spent part of the summer of 1881 at the country home…
Renoir, Pierre-Auguste (1841-1919) Nature morte aux pêches (Still Life with Peaches) 1881 Oil on canvas, 53.3 x 64.8 cm Metropolitan Museum of Art, New York Reviewers of the 1882 Impressionist exhibition were dazzled by this “very appealing” still life of…
Renoir, Pierre-Auguste (1841-1919) Bouquet de chrysanthèmes (Bouquet of Chrysanthemums) 1881 Oil on canvas, 66 x 55.6 cm Metropolitan Museum of Art, New York Renoir felt that he had greater freedom to experiment in still lifes than in figure paintings. “When…