Fantin-Latour, Henri (1836-1904) Tannhäuser 1886 Oil on canvas, 86.4 x 103.3 cm Cleveland Museum of Art, Cleveland Tannhäuser, the male figure seated on the left, does not seem fully engaged in this merry scene. Among pale bodies and pastel hues, he…
Bracquemond, Marie (1840-1916) Portrait de Mlle Quivoron (Portrait of Mlle Quivoron) 1860–1914 Etching, drypoint, 39 × 26.5 cm Metropolitan Museum of Art, New York This is a portrait of Louise, Marie Bracquemond‘s sister, who lived with the artist and her husband…
Astruc, Zacharie (1833-1907) Fleurs blanches dans un vase (White Flowers in a Vase) c.1884–1904 Watercolor, 37.2 x 28.5 cm Metropolitan Museum of Art, New York
Tissot, James (1836-1902) La présentation de Jésus au Temple (The Presentation of Jesus in the Temple) 1886–1894 Watercolor on paper, 22.2 x 15.2 cm Brooklyn Museum, New York Forty days after the birth of Jesus, the Holy Family travels to Jerusalem…
Degas, Edgar (1834-1917) Avant la course (Before the Race) c.1882–1888 Oil on paper laid down on panel, 29.5 x 46.5 cm Private collection Compare: Degas, Edgar (1834-1917) Avant la course 1882–1884 Walters Art Museum, Baltimore Degas, Edgar (1834-1917) Avant…
Morisot, Berthe (1841-1895) Le bain (The Bath) 1885–1886 Oil on canvas, 92.1 x 73.3 cm Clark Art Institute, Williamstown Acquired by Claude Monet.
Van Gogh, Vincent (1853-1890) Terrace in the Luxembourg Gardens 1886 Oil on canvas, 27 x 46 cm Clark Art Institute, Williamstown See also: • Jardin du Luxembourg | Paris (France)
Claudel, Camille (1864-1943) L’Abandon (Abandonment) c.1886 Bronze, 42.3 x 39.1 x 20.5 cm Musée Camille Claudel, Nogent-sur-Seine
Monet, Claude (1840-1926) Étretat, L’Aiguille et la Porte d’Aval 1885–1886 Oil on panel, 85.4 x 44.2 cm Art Gallery of Ontario, Toronto See also: • Étretat (France)
Renoir, Pierre-Auguste (1841-1919) Femme à l’éventail (Woman with Fan) 1886 Oil on canvas, 55.9 x 45.7 cm Barnes Foundation, Philadelphia This painting exemplifies the drastic shift in Renoir‘s style during the mid-1880s. After several years of working in an impressionist mode…