Van Gogh, Vincent (1853-1890) La Berceuse (Lullaby or Madame Roulin Rocking the Cradle) 1889 Oil on canvas, 92.7 x 72.7 cm Museum of Fine Arts, Boston (F 508, JH 1671) While in Arles, Van Gogh painted Augustine Roulin, the wife of postal…
Van Gogh, Vincent (1853-1890) La Berceuse (Lullaby or Madame Roulin Rocking the Cradle) 1889 Oil on canvas, 92.7 x 73.7 cm Metropolitan Museum of Art, New York (F 505, JH 1669) Of the five versions of Van Gogh’s portrait of Augustine Roulin,…
Van Gogh, Vincent (1853-1890) La Berceuse, portret van Madame Roulin (La Berceuse, Portrait of Madame Roulin) 1888–1889 Oil on canvas, 92 × 72.5 cm Kröller-Müller Museum, Otterlo (F 504, JH 1665) She who rocks the cradle In Arles, Van Gogh befriended the…
Van Gogh, Vincent (1853-1890) La Berceuse (Lullaby or Madame Roulin Rocking the Cradle) 1889 Oil on canvas, 92.7 × 73.8 cm Art Institute of Chicago, Chicago (F 506, JH 1670) Vincent van Gogh saw in Augustine Roulin—along with her husband, Joseph, and…
Pissarro, Camille (1830-1903) Vue de Bazincourt (View of Bazincourt) 1889 Watercolor on cotton mounted to pulpboard, 20.5 x 25.6 cm Brooklyn Museum, New York SIGNATURE: Signed and dated lower center: “C. Pissarro. 1889.” INSCRIPTIONS: Inscribed lower left: “A mon cher Fred. Souvenir…
Ensor, James (1860-1949) Triomphe romain (Roman Triumph) 1889 Etching on paper, 28.3 x 39.8 cm Kröller-Müller Museum, Otterlo
Ensor, James (1860-1949) Nature morte dans l’atelier (Still life in the studio) 1889 Oil on canvas, 83 x 113.5 cm Neue Pinakothek, Munich James Sidney Ensor‘s “Still Life” is more than the usual realistic studio study that is so often encountered…
Ensor, James (1860-1949) L’entrée du Christ à Bruxelles (Christ’s Entry into Brussels) 1888–1889 Oil on canvas, 252.6 × 431 cm Getty Center, Los Angeles See also: • Brussels (Belgium)
Ensor, James (1860-1949) Squelettes voulant se chauffer (Skeletons Wanting to Warm Themselves) 1889 Oil on canvas, 74.8 x 60 cm Kimbell Art Museum, Fort Worth James Ensor was one of the most original painters of the late nineteenth century. Populated with…
Seurat, Georges (1859-1891) Vue du Crotoy en amont (View of Le Crotoy from Upstream) 1889 Oil on canvas, 70.5 × 86.7 cm Detroit Institute of Arts, Detroit Seurat‘s unique style of painting (called pointillism, divisionism, or neo-impressionism) was based on scientific…