Ensor, James (1860-1949) L’intrigue (The Intrigue) 1890 Oil on canvas, 89.5 x 149 cm Koninklijk Museum voor Schone Kunsten, Antwerp
L’intrigue (1890)
Tag: 1890
La Femme au panier d’oeufs (c.1889-1895)
Rousseau, Henri (1844-1910) La Femme au panier d’oeufs (Woman with Basket of Eggs) c.1889–1895 Oil on canvas, 35.1 x 27 cm Barnes Foundation, Philadelphia
First Steps, after Millet (1890)
Van Gogh, Vincent (1853-1890) First Steps, after Millet 1890 Oil on canvas, 72.4 x 91.1 cm Metropolitan Museum of Art, New York In fall and winter 1889–90, while a voluntary patient at the asylum in Saint-Rémy, Van Gogh painted twenty-one copies after…
Bateaux amarrés et arbres (1890)
Seurat, Georges (1859-1891) Bateaux amarrés et arbres (Moored Boats and Trees) 1890 Oil on wood, 16 × 25 cm Philadelphia Art Museum, Philadelphia
Autoportrait (c.1890-1891)
Pissarro, Camille (1830-1903) Autoportrait (Self-Portrait) c.1890–1891 Etching, 18.5 × 17.6 cm Philadelphia Art Museum, Philadelphia
Portrait de l’artiste par lui-même (c.1885-1895)
Bouguereau, William-Adolphe (1825-1905) Portrait de l’artiste par lui-même, en buste, de trois quarts (Portrait of the artist by himself, bust, three-quarter length) c.1885–1895 Pen and ink on paper, 34 × 27.8 cm Musée du Louvre, Paris
La conversation (1885-1895)
Degas, Edgar (1834-1917) La conversation (The Conversation) 1885–1895 Oil on canvas, 50.2 × 61 cm Yale University Art Gallery, New Haven
Iris (1890)
Van Gogh, Vincent (1853-1890) Iris 1890 Oil on cardboard, mounted on canvas, 62.2 x 48.3 cm National Gallery of Canada, Ottawa
Étude de Femme nue assise dessinant (1888-1898)
Puvis de Chavannes, Pierre (1824-1898) Étude de Femme nue assise dessinant (Study of a Seated Nude Female Model Drawing) 1888–1898 Black chalk on paper, 23.7 x 30.5 cm Cleveland Museum of Art, Cleveland
La tour des pigeons à Bellevue (1890)
Cézanne, Paul (1839-1906) La tour des pigeons à Bellevue (The Pigeon Tower at Bellevue) 1890 Oil on fabric, 95.5 x 113 x 7 cm Cleveland Museum of Art, Cleveland Cézanne’s method of compressing space and simplifying forms into flattened, geometric shapes…