Tag: AIC

Adam (c.1533-1537)

Cranach, Lucas the Elder (1472-1553) Adam c.1533–1537 Oil on panel, 107.5 × 36.4 cm Art Institute of Chicago, Chicago For most of his long career, Lucas Cranach the Elder was court painter to the Elector of Saxony. Although the general placement of…

Eve (c.1533-1537)

Cranach, Lucas the Elder (1472-1553) Eve c.1533–1537 Oil on panel, 107.5 × 36.4 cm Art Institute of Chicago, Chicago For most of his long career, Lucas Cranach the Elder was court painter to the Elector of Saxony. Although the general placement of…

The Crucifixion (1538)

Cranach, Lucas the Elder (1472-1553) The Crucifixion 1538 Oil on panel, 121.1 × 82.5 cm Art Institute of Chicago, Chicago In this crowded scene, traditional vignettes from the Crucifixion story surround the central figure of Jesus Christ on the cross. Jesus’s…

Madonna col Bambino e San Giovannino (c.1515)

Correggio (c.1489-1534) Madonna col Bambino e San Giovannino (Virgin and Child with the Young Saint John the Baptist) c.1515 Oil on panel, 64.2 × 50.2 cm Art Institute of Chicago, Chicago Correggio spent most of his brief career in the northern Italian…

The Lock (c.1820-1825)

Constable, John (1776-1837) The Lock (Landscape) c.1820–1825 Oil on canvas, 71.5 x 92 cm Art Institute of Chicago, Chicago Attributed to John Constable.

Testa di Medusa (c.1801)

Canova, Antonio (1757-1822) Testa di Medusa (Head of Medusa) c.1801 Plaster, h. 31 cm Art Institute of Chicago, Chicago Neoclassical sculptor Antonio Canova dominated Rome’s artistic scene at the turn of the 19th century. This plaster is a partial model for his…

Busto di Paride (1809)

Canova, Antonio (1757-1822) Busto di Paride (Bust of Paris) 1809 Marble, 69.9 × 30.8 × 28 cm Art Institute of Chicago, Chicago Inscription: Ant(o)nio Quatremere/Amico Optimo/Antonius Canova/Dono Dedit/F. Romae/An. MDCCCIX”. The enormously popular Neoclassical sculptor Antonio Canova frequently made replicas or variants…