Tag: angel

Christ jaune (1889)

Bernard, Émile (1868-1941) Christ jaune (Yellow Christ) 1889 Oil on canvas, 27-9/16 x 23-5/8 in. Indianapolis Museum of Art, Indianapolis The artists of Pont-Aven were moved by the piety of the Breton people and often painted religious themes. Here Bernard presents Christ…

Il martirio di San Sebastiano (c.1460)

Donatello (1386-1466) Il martirio di San Sebastiano (The martyrdom of Saint Sebastian) c.1460 Bronze, 26 x 24 cm Musée Jacquemart-André, Paris This bronze plaquette was already famous when it entered the Edouard André Collection. A masterpiece by the sculptor Donatello, the perspective…

Natività (c.1522)

Perugino (c.1446-1523) Natività (The Nativity) c.1522 Fresco transferred to canvas, 254.5 × 131 cm Victoria and Albert Museum, London Pietro di Cristoforo Vanucci called Perugino (ca. 1450-1523) may have trained with Andrea Verrocchio and subsequently with Piero della Francesca in 1480. He…

Crocifissione (c.1408)

Gentile da Fabriano (c.1370-1427) Crocifissione (Crucifixion) c.1408 Tempera on panel, 60 x 40.5 cm Pinacoteca di Brera, Milano Gentile da Fabriano was the greatest painter of the late Italian Gothic, an itinerant artist who worked in Lombardy, Brescia, Venice, in the marche,…

Compianto sul Cristo morto (1305)

Giotto (c.1267-1337) Compianto sul Cristo morto (Lamentation of Christ) 1305 Fresco, 200 x 185 cm Cappella degli Scrovegni, Padova Compare: Rivera, Diego (1886-1957) Liberación del peón 1931 Philadelphia Art Museum, Philadelphia    

Le Baptême du Christ (1641-1642)

Poussin, Nicolas (1594-1665) Le Baptême du Christ (The Baptism of Christ) 1641–1642 Oil on canvas, 95.5 x 121 cm National Gallery of Art, Washington Although Nicolas Poussin‘s work exerted an enormous influence on the development of French seventeenth-century painting, the artist perfected…

The Annunciation (1480-1489)

Memling, Hans (c.1430-1494) The Annunciation 1480–1489 Oil on panel, transferred to canvas, 76.5 x 54.6 cm Metropolitan Museum of Art, New York Memling modeled this Annunciation on the left wing of Rogier van der Weyden’s Saint Columba Altarpiece (now in Munich), but…