Gainsborough, Thomas (1727-1788) Portrait of Margaret Gainsborough holding a Theorbo c.1777 Oil on canvas, 90.2 × 69.9 cm National Gallery, London This unfinished portrait of Thomas Gainsborough’s youngest daughter, Margaret (1751–1820), playing a theorbo (a kind of lute) unites two particularly personal…
Degas, Edgar (1834-1917) Miss Lala au Cirque Fernando (Miss Lala at the Cirque Fernando) 1879 Pastel on paper, 61 × 47.6 cm Tate Britain, London This is one of a sequence of pastels and drawings, many of which were executed on the…
Degas, Edgar (1834-1917) Miss La La au Cirque Fernando (Miss La La at the Cirque Fernando) 1879 Oil on canvas, 117.2 × 77.5 cm National Gallery, London The Cirque Fernando was built in 1875 near the Place Pigalle in Paris, close…
Dalí, Salvador (1904-1989) Le Roi d’Aragon (King of Aragon) 1973 Etching and mezzotint on paper, 48.3 × 35.6 cm Tate Britain, London Albert Field, The Official Catalog of the Graphic Works of Salvador Dalí, New York 1996, p.80: “King of Aragon…
Hunt, William Holman (1827-1910) The Shadow of Death 1870–1873 Oil on canvas, 214.2 x 168.2 cm Manchester Art Gallery, Manchester The picture shows a carpenter’s workshop. A youthful Christ, depicted as muscular and tanned, stands facing the front and stretching, with…
Hunt, William Holman (1827-1910) The Shadow of Death 1873–1874 Oil on panel, 104.5 x 82 cm Art Institute of Chicago, Chicago This minutely detailed painting depicts the young Jesus stretching after his day’s labor in his father’s carpentry shop. His mother,…
Van Dyck, Anthony (1599-1641) The Mocking of Christ 1628–1630 Oil on canvas, 112 x 93 cm Princeton University Art Museum, Princeton The most brilliant of Peter Paul Rubens’s assistants, Van Dyck left Antwerp to pursue his career in London and Genoa.…
Valadon, Suzanne (1865-1938) Femme nue enfilant des bas (Female Nude Putting on Stockings) s.d. Pastel, 39 x 31.5 cm Princeton University Art Museum, Princeton
Cormon, Fernand (1845-1924) Caïn 1880 Oil on canvas, 400 x 700 cm Musée d’Orsay, Paris This painting illustrates the miserable destiny of Cain, the elder son of Adam and Eve, who after the murder of his younger brother Abel was condemned…
Bernard, Émile (1868-1941) Baigneuses à la vache rouge (Bathers with a red cow) 1887 Oil on canvas, 92 x 73 cm Musée d’Orsay, Paris Fragment cut from a large composition, probably painted in 1889, the side parts of which are in…