Renoir, Pierre-Auguste (1841-1919) Jeune fille assise (Young Woman Seated) 1909 Oil on canvas, 65.4 x 55.5 cm Musée d’Orsay, Paris See also: • Renard, Gabrielle (1878-1959)
Jeune fille assise (1909)
Tag: arm
Gabrielle aux Bijoux (1910)
Renoir, Pierre-Auguste (1841-1919) Gabrielle aux Bijoux (Gabrielle with Jewellery) 1910 Oil on canvas, 81 x 65 cm Private Collection See also: • Renard, Gabrielle (1878-1959)
Gabrielle à la rose (1911)
Renoir, Pierre-Auguste (1841-1919) Gabrielle à la rose (Gabrielle with a rose) 1911 Oil on canvas, 55.5 x 47 cm Musée d’Orsay, Paris See also: • Renard, Gabrielle (1878-1959)
Persée et la Gorgone (c.1897)
Claudel, Camille (1864-1943) Persée et la Gorgone (Perseus and the Gorgon) c.1897 Marble, 196 x 111 x 90 cm Musée Camille Claudel, Nogent-sur-Seine
L’Âge mûr (1899)
Claudel, Camille (1864-1943) L’Âge mûr (The Mature Age) 1899 Bronze, 61.5 x 85 cm x 375 cm Musée Camille Claudel, Nogent-sur-Seine
L’Abandon (c.1886)
Claudel, Camille (1864-1943) L’Abandon (Abandonment) c.1886 Bronze, 42.3 x 39.1 x 20.5 cm Musée Camille Claudel, Nogent-sur-Seine © Musée Camille Claudel, photo by Marco Illuminati This bronze sculpture is a small model produced in 1905 by the foundryman and collector Eugène Blot,…
Les Causeuses (1893)
Claudel, Camille (1864-1943) Les Causeuses ou Les Bavardes (The Bavardes or the Loveseats) 1893 Bronze et marbre ou albâtre teinté, 32 x 34 x 24 cm Musée Camille Claudel, Nogent-sur-Seine
I am half sick of shadows (1915)
Waterhouse, John William (1849-1917) ‘I am half sick of shadows,’ said The Lady of Shalott (Alfred, Lord Tennyson, The Lady of Shalott, Part II) 1915 Oil on canvas, 100.3 x 73.7 cm Art Gallery of Ontario, Toronto See also: • Tennyson, Alfred (1809-1892)
Corpus (c.1650)
Bernini, Gian Lorenzo (1598-1680) Corpus (The Crucified Christ) c.1650 Bronze, 174 cm Art Gallery of Ontario, Toronto
Il ritorno del figliol prodigo (1654-1655)
Guercino (1591-1666) Il ritorno del figliol prodigo (The Return of the Prodigal Son) 1654–1655 Oil on canvas, 155.6 x 146.1 cm Timken Museum of Art, San Diego The parable depicted by Il Guercino (a nickname meaning “squint-eyed”) is the one most…