Tag: arm

La Calunnia (1496-1497)

Botticelli, Sandro (c.1445-1510) La Calunnia (Calumny of Apelles) c.1496–1497 Tempera on panel, 62 x 91 cm Galleria degli Uffizi, Firenze

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Compianto sul Cristo morto (1495-1500)

Botticelli, Sandro (c.1445-1510) Compianto sul Cristo morto (Lamentation over the Dead Christ) c.1495–1500 Tempera on wood, 106 x 71 cm Museo Poldi Pezzoli, Milano The painting, one of the most dramatic realizations of Sandro Botticelli‘s late activity, depicts the moment in which…

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Crocifissione (1475)

Antonello da Messina (c.1430-1479) Crocifissione (Christ Crucified) 1475 Oil on wood, 41.9 x 25.4 cm National Gallery, London Christ’s body hangs limply on the Cross; the torment of his crucifixion is almost over. He is supported in his final moments by…

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Naiade (1815-1823)

Canova, Antonio (1757-1822) Naiade (Naiad) model 1815–1817, carved 1820–1823 Marble, 80 x 190 cm National Gallery of Art, Washington Compare: Canova, Antonio (1757-1822) Naiade 1819–1824 Metropolitan Museum of Art, New York    

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Naiade (1819-1824)

Canova, Antonio & studio (1757-1822) Naiade (Reclining Naiad) 1819–1824 Carrara marble, 88.9 × 190.5 × 82.6 cm, 1160.3 kg Metropolitan Museum of Art, New York This is a variant of the Reclining Venus with Cupid, now in Buckingham Palace, which was…

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Perseo con la testa della Medusa (1804-1806)

Canova, Antonio (1757-1822) Perseo con la testa della Medusa (Perseus with the Head of Medusa) 1804–1806 Marble, 242.6 x 191.8 x 102.9 cm Metropolitan Museum of Art, New York When Countess Valeria Tarnowska first met the sculptor Antonio Canova, on December…

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Terpsichore Lyran (1816)

Canova, Antonio (1757-1822) Terpsichore Lyran (Muse of Lyric Poetry) 1816 Marble, 177.5 x 78.1 x 61 cm Cleveland Museum of Art, Cleveland Trained by his grandfather, an Italian stonemason, Canova began modeling clay and carving marble sculptures before age ten. In…

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