Goya, Francisco de (1746-1828) La maja desnuda (The Naked Maja) 1795–1800 Oil on canvas, 97.3 x 190.6 cm Museo del Prado, Madrid An image of Venus in the nude, lying on a green velvet divan with pillows and a spread. Legend…
Goya, Francisco de (1746-1828) La Condesa de Chinchón (The Countess of Chinchón) 1800 Oil on canvas, 216 x 144 cm Museo del Prado, Madrid María Teresa de Bourbon y Vallabriga, Marchioness of Boadilla del Monte and Countess of Chichón, was the daughter…
Goya, Francisco de (1746-1828) Corral de locos (Yard with Madmen) 1794 Oil on tin-plated iron, 42.9 x 31.4 cm Meadows Museum, Dallas Compare: Goya, Francisco de (1746-1828) Casa de locos after 1794 Österreichische Galerie Belvedere, Vienna
Goya, Francisco de (1746-1828) San Francisco de Borja y el moribundo impenitente (St Francis Borja at the Deathbed of an Impenitent) 1788 Oil on canvas, 350 x 300 cm Catedral de Valencia, Valencia See also: • Francis Borgia, 4th Duke of Gandía
Caillebotte, Gustave (1848-1894) Périssoires (Canoes) 1878 Oil on canvas, 155.5 x 108.5 cm Musée des Beaux-Arts, Rennes The training of Caillebotte, a student of Bonnat, seemed so short to the critic Émile Porcheron that he accused him of “tortizing perspective”. But…
Caillebotte, Gustave (1848-1894) Un homme à son bain (Man at His Bath) 1884 Oil on canvas, 144.8 x 114.3 cm Museum of Fine Arts, Boston This painting presents an unusually intimate scene from everyday life at the grand scale once reserved…
Caillebotte, Gustave (1848-1894) Raboteurs de parquet (Floor Scrapers) 1875 Oil on canvas, 102 x 147 cm Musée d’Orsay, Paris This painting is one of the first representations of urban proletariat. Whereas peasants (Gleaners by Millet) or country workers (Stone Breakers by…
Manet, Édouard (1832-1883) Olympia 1863 Oil on canvas, 130.5 x 191 cm Musée d’Orsay, Paris With Olympia, Manet reworked the traditional theme of the female nude, using a strong, uncompromising technique. Both the subject matter and its depiction explain the scandal…
Fontana, Lavinia (1552-1614) Minerva in atto di abbigliarsi (Minerva Dressing) 1613 Oil on canvas, 258 x 190 cm Galleria Borghese, Roma The work, which dates back to 1613, was painted in Rome, evoked here through the dome of St. Peter’s visible…
Dalí, Salvador (1904-1989) Corpus Hypercubus (Crucifixion) 1954 Oil on canvas, 194.3 x 123.8 cm Metropolitan Museum of Art, New York Dalí utilized his theory of “nuclear mysticism,” a fusion of Catholicism, mathematics, and science, to create this unusual interpretation of Christ’s…