Corot, Jean-Baptiste-Camille (1796-1875) La Bacchante à la Panthère (Bacchante with a Panther) 1860 Oil on canvas, 54.6 x 95.3 cm Shelburne Museum, Shelburne
Klimt, Gustav (1862-1918) The Kiss/Lovers (Der Kuss/Liebespaar) 1908 (completed 1909) Oil and gold on canvas, 180 x 180 cm Österreichische Galerie Belvedere, Vienna The Kiss (Lovers) by Gustav Klimt is the most famous Austrian painting and the highlight of the permanent collection at…
Goya, Francisco de (1746-1828) Bartolomé Sureda y Miserol c.1803–1804 Oil on canvas, 119.7 x 79.3 cm National Gallery of Art, Washington Shown from the knees up, a cleanshaven, young man with pale, peachy skin leans on his right elbow, to our left,…
Goya, Francisco de (1746-1828) La maja vestida (The Clothed Maja) 1800–1807 Oil on canvas, 94.7 x 188 cm Museo del Prado, Madrid An unidentified lady wearing delicate transparent clothing and a yellow jacket with black decorations lies on a green velvet divan…
Goya, Francisco de (1746-1828) La maja desnuda (The Naked Maja) 1795–1800 Oil on canvas, 97.3 x 190.6 cm Museo del Prado, Madrid An image of Venus in the nude, lying on a green velvet divan with pillows and a spread. Legend…
Goya, Francisco de (1746-1828) La Condesa de Chinchón (The Countess of Chinchón) 1800 Oil on canvas, 216 x 144 cm Museo del Prado, Madrid María Teresa de Bourbon y Vallabriga, Marchioness of Boadilla del Monte and Countess of Chichón, was the daughter…
Goya, Francisco de (1746-1828) Corral de locos (Yard with Madmen) 1794 Oil on tin-plated iron, 42.9 x 31.4 cm Meadows Museum, Dallas Compare: Goya, Francisco de (1746-1828) Casa de locos after 1794 Österreichische Galerie Belvedere, Vienna
Goya, Francisco de (1746-1828) San Francisco de Borja y el moribundo impenitente (St Francis Borja at the Deathbed of an Impenitent) 1788 Oil on canvas, 350 x 300 cm Catedral de Valencia, Valencia See also: • Francis Borgia, 4th Duke of Gandía
Caillebotte, Gustave (1848-1894) Périssoires (Canoes) 1878 Oil on canvas, 155.5 x 108.5 cm Musée des Beaux-Arts, Rennes The training of Caillebotte, a student of Bonnat, seemed so short to the critic Émile Porcheron that he accused him of “tortizing perspective”. But…