Tag: armour

L’Arcangelo Michele (c.1496-1500)

Perugino (c.1446-1523) L’Arcangelo Michele (The Archangel Michael) c.1496–1500 Oil and egg temera on poplar, 114.7 x 56.6 cm National Gallery, London This was the left panel of the predella of an altarpiece made for the Duke of Milan, Ludovico Sforza. Altarpiece,…

La resurrezione (1500-1505)

Perugino (c.1446-1523) La resurrezione (The Resurrection) 1500–1505 Tempera on wood, 27 x 45.7 cm Metropolitan Museum of Art, New York This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large…

Bravo (c.1515-1520)

Tiziano (c.1488-1576) Bravo (The Bravo) c.1515–1520 Oil on canvas, 77 × 66.5 cm Kunsthistorisches Museum, Vienna Titian intensifies the close-up half-figure action picture developed by his teacher Giorgione into concentrated drama. The three-quarter portrait of the vine-leafed protagonist contrasts with the…

Crucifixion of Christ (c.1500-1501)

Cranach, Lucas the Elder (1472-1553) Crucifixion of Christ c.1500–1501 Oil on lime, 58.5 × 45 cm Kunsthistorisches Museum, Vienna The small-format panel, which was probably used for private devotion, dates from Cranach‘s first known creative period, which the artist spent in…

Aeneas and the Sibyl in the Underworld (1630s)

Brueghel, Jan the Younger (1601-1678) Aeneas and the Sibyl in the Underworld 1630s Oil on copper, 26.7 x 35.9 cm Metropolitan Museum of Art, New York This infernal image of the 1630s was inspired by the “hell landscapes” of Jan Brueghel…

Scipione l’Africano libera Massiva (1719-1721)

Tiepolo, Giambattista (1696-1770) Scipione l’Africano libera Massiva (Scipio Africanus Freeing Massiva) 1719–1721 Oil on canvas, 279.4 x 487.6 cm Walters Art Museum, Baltimore See also: • Scipio Africanus, Publius Cornelius (236-183 BC)