Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…
Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Parmigianino (1503-1540) Madonna dal collo lungo (Long-necked Madonna) 1534–1540 Oil on panel, 216.5 x 132.5 cm Galleria degli Uffizi, Firenze
Parmigianino (1503-1540) Santa Taide (Saint Thaïs) s.d. Etching National Gallery of Art, Washington
Parmigianino (1503-1540) Lucrezia (Lucretia) c.1539 Watercolor over black chalk, 29.8 x 20.9 cm National Gallery of Art, Washington
Parmigianino (1503-1540) Lucrezia Romana (Roman Lucretia) 1540 Oil on panel, 68 × 52 cm Museo di Capodimonte, Napoli
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) c.1529 Oil on wood, 21 × 27 cm Musée du Louvre, Paris Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1529 Private collection Parmigianino (1503-1540) Matrimonio mistico di…
Parmigianino (1503-1540) Uomo che sospende la lettura (Portrait of a man with a book) 1525–1526 Oil on poplar, 67.5 × 53 cm Kunsthistorisches Museum, Vienna The stranger has paused while reading and now seems to be indulging in his own thoughts. His…
Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…