Tiepolo, Giambattista (1696-1770) Bruto e Arrunte (Death of consul L. J. Brutus in a duel with Arruns) c.1728–1730 Oil on canvas, 383 × 182 cm Kunsthistorisches Museum, Vienna Inscription: On the typeface above the ballhorned quote: MVTVO VVLNERE OCCVBVIT ADVLTERVM FERE…
Guercino (1591-1666) Ritorno del figliol prodigo (Homecoming of the Prodigal Son) 1619 Oil on canvas, 107 × 143.5 cm Kunsthistorisches Museum, Vienna Compare: Guercino (1591-1666) Il ritorno del figliol prodigo 1654–1655 Timken Museum of Art, San Diego
Mantegna, Andrea (c.1431-1506) San Sebastiano (St. Sebastian) c.1457–1459 Oil on poplar, 68 × 30 cm Kunsthistorisches Museum, Vienna Sebastian was the leader of the bodyguard of the Roman emperor Diocletian and was sentenced to death for his Christian faith. The saint…
Tiziano (c.1488-1576) Bravo (The Bravo) c.1515–1520 Oil on canvas, 77 × 66.5 cm Kunsthistorisches Museum, Vienna Titian intensifies the close-up half-figure action picture developed by his teacher Giorgione into concentrated drama. The three-quarter portrait of the vine-leafed protagonist contrasts with the…
Tiziano (c.1488-1576) Madonna delle ciliegie (Cherry Madonna) c.1516–1518 Oil transferred from canvas to wood, 81.6 × 100.2 × 1.1 cm Kunsthistorisches Museum, Vienna On the left St. Joseph, on the right St. John the Boy and St. Zacharias. Similar to the…
Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna The theme on which the picture is based has not yet been satisfactorily clarified, but Titian raised it to the mythical level…
Gainsborough, Thomas (1727-1788) Landscape in Suffolk c.1748 Oil on canvas, 65 × 95 cm Kunsthistorisches Museum, Vienna In terms of motif and composition, the landscapes that the young Gainsborough painted in his native Suffolk are indebted to the Dutch landscape art…
Cranach, Lucas the Elder (1472-1553) Crucifixion of Christ c.1500–1501 Oil on lime, 58.5 × 45 cm Kunsthistorisches Museum, Vienna The small-format panel, which was probably used for private devotion, dates from Cranach‘s first known creative period, which the artist spent in…
Cranach, Lucas the Elder (1472-1553) Judith with the head of Holofernes c.1530 Oil on lime, 87.7 × 58.1 × 2.4 cm Kunsthistorisches Museum, Vienna Through courage and cunning, the Old Testament heroine had succeeded in penetrating Holofernes’ tent camp, which had…
Dürer, Albrecht (1471-1528) Portrait of a Young Venetian Woman 1505 Spruce, 33 × 24.5 × 2.7 cm Kunsthistorisches Museum, Vienna Inscribed at the top in the middle with the monogram, dat. 1505 We don’t know who the charming young lady is,…