Rembrandt (1606-1669) The Holy Family c.1633–1635 Oil on canvas, 183.5 x 123 cm Alte Pinakothek, Munich Rembrandt presents this touching gathering of the Holy Family in the carpenter’s workshop in a monumental genre painting with almost life-sized figures that has…
Rembrandt (1606-1669) The Adoration of the Shepherds 1646 Oil on canvas, 97 x 71.3 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The…
Rembrandt (1606-1669) The Holy Family with St Anne 1640 Oil on panel, 41 x 34 cm Musée du Louvre, Paris The Christian meaning of the painting has often been obliterated in favor of a purely secular interpretation: for example at…
Rembrandt (1606-1669) The Circumcision 1661 Oil on canvas, 56.5 x 75 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633),…
Rembrandt (1606-1669) Holy Family 1645 Oil on canvas, 117 x 91 cm Hermitage Museum, Saint Petersburg One of the key subjects for Rembrandt was the Holy Family that perhaps for him embodied the lost dream of a happy home life. In…
Guercino (1591-1666) Sant’Antonio da Padova col Bambino Gesù (Saint Anthony of Padua with the Infant Christ) 1656 Oil on canvas, 91 x 74 cm Private collection
Guercino (1591-1666) San Luca dipinge la Vergine (St Luke Displaying a Painting of the Virgin) 1652–1653 Oil on canvas, 220.98 x 180.34 cm Nelson-Atkins Museum, Kansas City
Guercino (1591-1666) Riposo nella fuga in Egitto (Rest on the Flight into Egypt) 1624 Oil on canvas, diameter 68.5 cm Cleveland Museum of Art, Cleveland Giovanni Francesco Barbieri (called il Guercino) created Rest on the Flight to Egypt as a…
Guercino (1591-1666) Visione di santa Chiara (Vision of St Clare) 1615–1621 Oil on canvas, 50 x 37.5 cm Hermitage Museum, Saint Petersburg
Guercino (1591-1666) Madonna del cardellino (Madonna and Child with an Escaped Goldfinch) early 1630s Red chalk on paper, 26.3 x 20.3 cm National Gallery of Art, Washington