Delacroix, Eugène (1798-1863) La mort de Sardanapale (The Death of Sardanapalus) 1844 Oil on canvas, 73.7 × 92.6 cm Philadelphia Museum of Art, Philadelphia Compare: Delacroix, Eugène (1798-1863) La Mort de Sardanapale, esquisse 1826–1827 Musée du Louvre, Paris Delacroix, Eugène (1798-1863) Mort de…
Ingres, Jean Auguste Dominique (1780-1867) La baigneuse, dite Baigneuse de Valpinçon (The Bather, known as The Valpinçon Bather) 1808 Oil on canvas, 146 x 97.5 cm Musée du Louvre, Paris Body of a woman naked from behind seated on the edge of…
Magritte, René (1898-1967) La boîte de Pandore (Pandora’s box) 1951 Oil on canvas, 45.4 × 54.9 cm Yale University Art Gallery, New Haven
Matisse, Henri (1869-1954) Deux femmes (Two Women) c.1908 Bronze, 45.7 x 25.7 cm Cleveland Museum of Art, Cleveland Matisse based this sculpture on a photograph of two women embracing, but translated it into a more compact, three-dimensional composition by fusing their…
Gauguin, Paul (1848-1903) L’Appel (The Call) 1902 Oil on fabric, 131.3 x 89.5 cm Cleveland Museum of Art, Cleveland Although known as one of the founders of modern art, Gauguin found inspiration in ancient Greek, Roman, and Egyptian art. The woman…
Gauguin, Paul (1848-1903) Dans les Vagues (In the Waves) 1889 Oil on fabric, 92.5 x 72.4 cm Cleveland Museum of Art, Cleveland Gauguin likely painted this work of art during his time in a small coastal village called Pont-Aven where he…
Puvis de Chavannes, Pierre (1824-1898) Étude de Femme nue assise dessinant (Study of a Seated Nude Female Model Drawing) 1888–1898 Black chalk on paper, 23.7 x 30.5 cm Cleveland Museum of Art, Cleveland
Renoir, Pierre-Auguste (1841-1919) Femme nue dans un paysage (Female Nude in a Landscape) 1883 Oil on canvas, 65 x 54 cm Musée de l’Orangerie, Paris
Renoir, Pierre-Auguste (1841-1919) Baigneuse arrangeant ses cheveux (Bather Arranging Her Hair) 1885 Oil on canvas, 91.9 x 73 cm Clark Art Institute, Williamstown
Caravaggio (1571-1610) Concerto di giovani (The Musicians) 1597 Oil on canvas, 92.1 x 118.4 cm Metropolitan Museum of Art, New York While Cupid confirms Caravaggio’s allegorical frame for representing Music, the artist equally engages with contemporary performance and individualized models, including…