Poussin, Nicolas (1594-1665) La Destruction du temple de Jérusalem (The destruction of the Temple at Jerusalem) 1635 Oil on canvas, 147 × 198 cm Kunsthistorisches Museum, Vienna The material is taken from Flavius Josephus’ Jewish War. Titus, the son of the…
Jordaens, Jacob (1593-1678) The Meeting of Odysseus and Nausicaa c.1630–1640 Oil on canvas, 117.5 x 194 cm Rijksmuseum, Amsterdam Jordaens was one of the most renowned and versatile Antwerp painters. Here he illustrates an episode from Homer’s Odyssey. Odysseus, naked and…
Veronese, Paolo (1528-1588) Ritratto di Daniele Barbaro (Portrait of Daniele Barbaro) 1556–1562 Oil on canvas, 121 x 105.5 cm Rijksmuseum, Amsterdam Daniele Barbaro was a leading scholar of Aristotelian physics. He is shown in the ecclesiastical garments of a patriarch. Next…
Daumier, Honoré (1808-1879) La lecture (The Reading) c.1857 Oil on panel, 27 x 35 cm Rijksmuseum, Amsterdam
Pontormo (1494-1557) Madonna col Bambino, San Giuseppe e San Giovanni Battista (Madonna and Child with St Joseph and St John the Baptist) Early 1520s Oil on canvas transferred from panel, 120 x 98.5 cm Hermitage Museum, Saint Petersburg Among the celebrated…
Brueghel, Jan the Elder (1568-1625) Christ in the Storm on the Sea of Galilee 1596 Oil on copper, 26.6 x 35 cm Museo Thyssen-Bornemisza, Madrid Jan Brueghel belonged to a dynasty of painters whose first outstanding member was Pieter Bruegel, Jan’s…
Fantin-Latour, Henri (1836-1904) Autoportrait (Self-Portrait) 1858 Oil on canvas, 40.7 x 32.7 cm National Gallery of Art, Washington
Fantin-Latour, Henri (1836-1904) Autoportrait (Self Portrait) c.1858 Oil on canvas, 26.4 x 21.3 cm Metropolitan Museum of Art, New York At the beginning of his career, between 1854 and 1861, Fantin-Latour executed a large number of self-portraits in chalk, charcoal, and oil.…
Blake, William (1757-1827) God Judging Adam 1795 Relief etching, ink and watercolour on paper, 43.2 x 53.5 cm Tate Britain, London This is a hand-finished relief etching, printed on paper from a copper plate. The broken texture visible along the light grey…
Bellini, Giovanni (c.1430-1516) Cristo morto sostenuto da due angeli (The Dead Christ supported by Two Angels) c.1465–1470 Oil on wood, 95 × 71.7 cm National Gallery, London This type of image of Christ after his death – close up, showing his…