Tag: beard

Deposizione nel sepolcro (1559)

Tiziano (c.1488-1576) Deposizione nel sepolcro (The Entombment) 1559 Oil on canvas, 136 x 174.5 cm Museo del Prado, Madrid Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42)…

Copie d’après Le Titien (c.1864)

Cézanne, Paul (1839-1906) Copie d’après Le Titien (Study after Titian’s Entombment of Christ) c.1864 Oil on paper mounted on canvas, 20 x 29.5 cm Rhode Island School of Design, Providence Compare: Tiziano (c.1488-1576) Deposizione di Cristo c.1520 Musée du Louvre, Paris  …

Deposizione di Cristo (c.1520)

Tiziano (c.1488-1576) Deposizione di Cristo (The Entombment of Christ) c.1520 Oil on canvas, 148 x 212 cm Musée du Louvre, Paris Compare: Tiziano (c.1488-1576) Deposizione nel sepolcro 1559 Museo del Prado, Madrid     Copies: Cézanne, Paul (1839-1906) Copie d’après Le Titien c.1864 Rhode Island…

La mort de Sardanapale (1844)

Delacroix, Eugène (1798-1863) La mort de Sardanapale (The Death of Sardanapalus) 1844 Oil on canvas, 73.7 × 92.6 cm Philadelphia Art Museum, Philadelphia The subject of this painting was inspired by Lord Byron‘s dramatic poem of 1821 about the life of an…

San Buenaventura en el Concilio de Lyon (c.1629)

Zurbarán, Francisco de (1598-1664) San Buenaventura en el Concilio de Lyon (Saint Bonaventure at the Council of Lyon) c.1629 Oil on canvas, 250 x 225 cm Musée du Louvre, Paris Church of Saint Bonaventure College, Seville, circa 1629; deposited, by order of…

Exposición del cuerpo de San Buenaventura (c.1629)

Zurbarán, Francisco de (1598-1664) Exposición del cuerpo de San Buenaventura (Exhibition of the Body of Saint Bonaventure) c.1629 Oil on canvas, 245 x 220 cm Musée du Louvre, Paris Painted for the church of the San Buenaventura college in Seville, around 1629;…

La Inmaculada Concepción (1662-1665)

Murillo, Bartolomé Esteban (1617-1682) La Inmaculada Concepción (The Immaculate Conception) 1662–1665 Oil on canvas, 172 x 298 cm Musée du Louvre, Paris Inscription: On the phylactery held by two angels: “IN PRINCIPIO DILEXIT EAM”. Part of a series of four large…

Ritratto di Gian Paolo Zappi (c.1577)

Fontana, Lavinia (1552-1614) Ritratto di Gian Paolo Zappi (Portrait of Gian Paolo Zappi) c.1577 Oil on copper, 17 x 14 cm Museo de Zaragoza, Zaragoza Recto: Fontana, Lavinia (1552-1614) Autoritratto c.1577 Museo de Zaragoza, Zaragoza   Double portrait of a married couple. See also:…