Tintoretto, Jacopo (1518-1594) Ritrovamento del corpo di San Marco (Finding of the Body of Saint Mark) 1562–1566 Oil on canvas, 396 x 400 cm Pinacoteca di Brera, Milano Tommaso Rangone, “grand guardian” of the Scuola di San Marco in Venice,…
Tintoretto, Jacopo (1518-1594) Sant’Elena, Santa Barbara, Sant’Andrea, San Macario, un altro santo e un devoto adorano la croce (Saint Helen, Barbara, Andrew, Macarius, another Saint and a Devote in Adoration of the Cross) 1560–1561 Oil on canvas, 275 x 165…
Tintoretto, Jacopo (1518-1594) La Disciplina che tiene a freno i costumi, già Allegoria della Fortuna (Allegory of Fortune) 1544–1545 Oil on canvas, 105 x 144 cm Pinacoteca di Brera, Milano
Tintoretto, Jacopo (1518-1594) Pietà 1563 Oil on canvas, 108 x 170 cm Pinacoteca di Brera, Milano The painting was intended to decorate a lunette in the courtyard of the Procuratie di San Marco in Venice and, according to documents, was…
Raffaello (1483-1520) Sposalizio della Vergine (The Marriage of the Virgin) 1504 Oil on panel, 170 x 118 cm Pinacoteca di Brera, Milano The painting, dating from 1504, was moved from the Church of San Francesco in Città di Castello to…
Mantegna, Andrea (c.1431-1506) Cristo morto nel sepolcro e tre dolenti (The Dead Christ and Three Mourners) c.1483 Tempera on canvas, 68 x 81 cm Pinacoteca di Brera, Milano The most convincing hypothesis, despite the uncertainties stemming from the existence of…
El Greco (1541-1614) San Francisco medita sobre la muerte (Saint Francis Meditating on Death) 1600–1610 Oil on canvas, 106 x 66 cm Pinacoteca di Brera, Milano Compare: El Greco (1541-1614) San Francisco y el hermano León meditando sobre la muerte…
Bronzino (1503-1572) Ritratto di Andrea Doria come Nettuno (Portrait of Andrea Doria in the Guise of Neptune) c.1545–1546 Oil on canvas, 149 x 199.5 cm Pinacoteca di Brera, Milano Paolo Giovio commissioned this portrait from Bronzino for a museum that…
Bellini, Giovanni (c.1430-1516) Pietà c.1460 Tempera on panel, 86 x 107 cm Pinacoteca di Brera, Milano The panel, dated to the years between 1465 and 1470, marks an evident emancipation of the artist from the influence of Andrea Mantegna, to…