Rembrandt (1606-1669) Portrait of Jacob Trip c.1661 Oil on canvas, 130.5 x 97 cm National Gallery, London This wise-looking old man is Jacob Trip. He was one of the biggest arms dealers during one of the most turbulent periods of…
Rembrandt (1606-1669) The Woman taken in Adultery 1644 Oil on oak, 83.8 x 65.4 cm National Gallery, London A woman kneels and weeps. Darkness like a great cavern surrounds her. A shaft of light picks her out on the stone…
Rembrandt (1606-1669) The Lamentation over the Dead Christ c.1635 Oil on paper and pieces of canvas, mounted onto oak, 31.9 x 26.7 cm National Gallery, London Christ’s body has just been taken down from the Cross, and his family and…
Rembrandt (1606-1669) A Franciscan Friar c.1655 Oil on canvas, 89 x 66.5 cm National Gallery, London This man is wearing the habit of a Franciscan friar (this order of monks was founded to follow the teachings of Saint Francis of…
Rembrandt (1606-1669) An Elderly Man as Saint Paul probably 1659 Oil on canvas, 102 x 85.5 cm National Gallery, London Between the late 1650s and early 1660s Rembrandt painted a series of intimate half-length pictures of religious figures. He seems…
Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…
Rembrandt (1606-1669) Belshazzar’s Feast c.1636–1638 Oil on canvas, 167.6 x 209.2 cm National Gallery, London Belshazzar’s Feast was painted somewhere between 1636 and 1638, when Rembrandt was about 30 years old. He had to make his way in Amsterdam, a…
Rembrandt (1606-1669) A Bearded Man in a Cap late 1650s Oil on canvas, 78 x 66.7 cm National Gallery, London This melancholy image of an old man lost in thought is one of a group of studies made by Rembrandt…
Rembrandt (1606-1669) Anna and the Blind Tobit c.1630 Oil on oak, 63.8 x 47.7 cm National Gallery, London Even as a young man, Rembrandt was interested in the depiction of old age and aged people. He painted them as if…
Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…