Raffaello (1483-1520) & Workshop Ritratto di papa Giulio II (Portrait of Pope Julius II) c.1512 Tempera on panel, 107 x 80 cm Galleria degli Uffizi, Firenze Giuliano della Rovere (Albissola, Savona 1443- Rome 1513) was pope from 1503 to 1513 under…
Raffaello (1483-1520) Ritratto di papa Giulio II (Portrait of Pope Julius II) 1511 Oil on poplar, 108.7 x 81 cm National Gallery, London This portrait of Pope Julius II (1443–1513) is usually dated to the one-and-a-half-year period during which he wore…
Raffaello (1483-1520) Incoronazione della Vergine, detta Pala Oddi (Crowning of the Virgin, called Oddi Altarpiece) 1502–1504 Tempera grassa on wood transferred to canvas, 272 x 165 cm Pinacoteca Vaticana, Vaticano The Crowning of the Virgin was painted for the altar of…
Raffaello (1483-1520) Autoritratto con un amico (Self-portrait with a friend) c.1518–1520 Oil on canvas, 99 x 83 cm Musée du Louvre, Paris
Raffaello (1483-1520) Pietà c.1503–1505 Oil on poplar panel, 23.6 x 28.8 cm Isabella Stewart Gardner Museum, Boston This panel was originally part of the base (predella) of the Colonna Altarpiece (Pala Colonna). Not satisfied with a single Raphael painting, Isabella Stewart Gardner…
Raffaello (1483-1520) San Francesco d’Assisi (Saint Francis of Assisi) c.1502 Oil on panel, 25.8 x 16.8 cm Dulwich Picture Gallery, London This panel was originally part of the base (predella) of the Colonna Altarpiece (Pala Colonna). Saint Francis of Assisi (c.…
Holbein, Hans the Younger (c.1497-1543) Self-Portrait 1542–1543 Coloured chalk, pen and gold on paper, 32 x 26 cm Galleria degli Uffizi, Firenze
Holbein, Hans the Younger (c.1497-1543) Portrait of Henry VIII of England c.1537 Oil on panel, 28 x 20 cm Museo Thyssen-Bornemisza, Madrid Portraiture was the most popular genre in sixteenth-century England, and indeed one of the few available to artists following the…
Cézanne, Paul (1839-1906) Portrait de l’artiste au fond rose (Self-Portrait with Pink Background) c.1875 Oil on canvas, 66 x 55.2 cm Musée d’Orsay, Paris
Tiziano (c.1488-1576) Ecce Homo 1547 Oil on slate, 69 x 56 cm Museo del Prado, Madrid Although we do not know when Titian first treated this subject, it was probably in 1535, when he painted a Christ for Federico Gonzaga following a…