Ribera, Jusepe de (1591-1652) L’Adorazione dei pastori (The Adoration of the Shepherds) 1650 Oil on canvas, 239 x 181 cm Musée du Louvre, Paris Sent directly from Naples in 1802, this painting was the first work by Ribera to enter the…
Brueghel, Jan the Elder (1568-1625) Air 1621 Oil on copper, 45 x 65 cm Musée du Louvre, Paris Birds like the armillary sphere of the muse Urania, the telescope of the putto which observes the chariots of Apollo (sun) and Diana…
Millais, John Everett (1829-1896) Ophelia 1851–1852 Oil on canvas, 76.2 x 111.8 cm Tate Britain, London The scene depicted is from Shakespeare‘s Hamlet, Act IV, Scene vii. See also: • Shakespeare, William (1564-1616) | Siddal, Elizabeth (1829-1862)
Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni (Susanna and the Elders) c.1555–1556 Oil on canvas, 146 × 193.6 cm Kunsthistorisches Museum, Vienna Compare: Tintoretto, Jacopo (1518-1594) Susanna e i Vecchioni 1552–1555 Museo del Prado, Madrid Tintoretto, Jacopo (1518-1594) Susanna e…
De Morgan, William (1839-1917) Dish c.1900 Ceramic, diameter: 2.5 x 25.2 cm Cleveland Museum of Art, Cleveland Designed by William Frend De Morgan (British, 1839-1917); decorated by Charles Passenger (British).
Rubens, Peter Paul (1577-1640) The Apotheosis of James I and Other Studies: Multiple Sketch for the Banqueting House Ceiling, Whitehall c.1628–1630 Oil on oak, 94.7 x 63 cm Tate Britain, London Rubens was the leading artist in Antwerp, and one of the…
Magritte, René (1898-1967) Le Dormeur téméraire (The Reckless Sleeper) 1928 Oil on canvas, 116 × 81 x 2 cm Tate Britain, London A figure sleeps in a wooden alcove above a dark cloudy sky. The way into this space is barred…
Monet, Claude (1840-1926) Les chambres du Parlement, les mouettes (The Houses of Parliament, Seagulls) 1903 Oil on canvas, 81 x 92 cm Princeton University Art Museum, Princeton Escaping the Franco-Prussian War, Monet moved to London in the fall of 1870 and…
Burne-Jones, Edward (1833-1898) The Golden Stairs 1880 Oil on canvas, 269.2 x 116.8 cm Tate Britain, London This painting is an example of Burne-Jones’s interest in investigating a mood rather than telling a story. He deliberately made his pictures mysterious and…