Courbet, Gustave (1819-1877) Le bras noir (The Black Arm) 1856 Pencil on paper, 47.3 x 51.8 cm National Gallery of Canada, Ottawa
Le bras noir (1856)
Tag: black
Daniele Barbaro (1545)
Tiziano (c.1488-1576) Daniele Barbaro 1545 Oil on canvas, 85.8 x 71.5 cm National Gallery of Canada, Ottawa Compare: Tiziano (c.1488-1576) Ritratto di Daniele Barbaro c.1545 Museo del Prado, Madrid See also: • Barbaro, Daniele (1513-1570)
Portrait of a Clergyman (1756-1760)
Reynolds, Joshua (1723-1792) Portrait of a Clergyman 1756–1760 Oil on canvas, 77 x 64 cm Museo del Prado, Madrid This is an early work by Reynolds. It lacks the verve and brilliance of his later output but is imbued with a…
Giovane donna con cappello a tricorno (c.1755-1760)
Tiepolo, Giambattista (1696-1770) Giovane donna con cappello a tricorno (Young Lady in a Tricorn Hat) c.1755–1760 Oil on canvas, 62.2 x 49.3 cm National Gallery of Art, Washington
Portrait de Madame Edma Pontillon (1871)
Morisot, Berthe (1841-1895) Portrait de Madame Edma Pontillon, née Edma Morisot, soeur de l’artiste (Portrait of Madame Edma Pontillon, née Edma Morisot, sister of the artist) 1871 Pastel on paper, 81.5 x 65.8 cm Musée d’Orsay, Paris See also: • Morisot, Edma (1839-1921)
Portrait of a Woman (1646)
Flinck, Govert (1615-1660) Portrait of a Woman 1646 Oil on wood, 71.5 x 59.5 cm Cleveland Museum of Art, Cleveland Because of an inscription on the back, this painting was long considered a portrait of Anna Maria van Schurman, a prominent…
Anna Zborowska (1917)
Modigliani, Amedeo (1884-1920) Anna Zborowska 1917 Oil on canvas, 130.2 x 81.3 cm Museum of Modern Art, New York See also: • Anna Zborowska (1885-1978)
Portrait de l’artiste (c.1891)
Desboutin, Marcellin (1823-1902) Portrait de l’artiste (Portrait of the Artist) c.1891 Oil on canvas, 32.4 x 24.2 cm Musée d’Orsay, Paris
Ritratto di un prelato (c.1580)
Fontana, Lavinia (1552-1614) Ritratto di un prelato (Portrait of a Prelate) c.1580 Oil on copper, diameter 14 cm Metropolitan Museum of Art, New York The daughter of a leading painter in Bologna, Lavinia Fontana became the most famous woman artist of…
Les deux confrères, Avocats (1865-1870)
Daumier, Honoré (1808-1879) Les deux confrères, Avocats (The Two Colleagues, Lawyers) 1865–1870 Watercolor on paper, 25.4 × 19.8 cm Brooklyn Museum, New York The approximately four thousand lithographic caricatures that Honoré Daumier produced were widely circulated in nineteenth-century Paris, where they…