Rembrandt (1606-1669) Lucretia 1666 Oil on canvas, 110.17 x 92.28 cm Minneapolis Institute of Art, Minneapolis
Lucretia (1666)
Tag: blood
The Raising of the Cross (c.1633)
Rembrandt (1606-1669) The Raising of the Cross c.1633 Oil on canvas, 96.2 x 72.2 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince Frederik Hendrik of Orange. The six…
The Deposition (1632-1633)
Rembrandt (1606-1669) The Deposition of Christ from the Cross 1632–1633 Oil on West Indian cedar (Cedrela odorata), 89.4 x 65.2 cm Alte Pinakothek, Munich The so-called ‘Passion Cycle’ was painted for the stadtholder of the United Provinces of the Netherlands, Prince…
Still Life with Peacocks (c.1639)
Rembrandt (1606-1669) Still Life with Peacocks c.1639 Oil on canvas, 145 x 135.5 cm Rijksmuseum, Amsterdam In Rembrandt’s time, peacocks were eaten by the well-to-do: the meat was incorporated into meat pies, among other dishes. Immediately after being killed, the…
Estrazione del cuore di sant’Ignazio (c.1480-1482)
Botticelli, Sandro (c.1445-1510) Estrazione del cuore di Sant’Ignazio (Extraction of St. Ignatius’ Heart) c.1480–1482 Oil on panel, 21 x 38 cm Galleria degli Uffizi, Firenze Predella of the Altarpiece of St. Barnabas. Altarpiece of St. Barnabas: Botticelli, Sandro (c.1445-1510) Pala di San Barnaba c.1480–1482…
Cristo morto sostenuto da un angelo (1475-1476)
Antonello da Messina (c.1430-1479) Cristo morto sostenuto da un angelo (Dead Christ Supported by an Angel) 1475–1476 Mixed method on panel, 74 x 51 cm Museo del Prado, Madrid Antonello da Messina was trained in Naples, the Italian city where the…
Ecce Homo (1547)
Tiziano (c.1488-1576) Ecce Homo 1547 Oil on slate, 69 x 56 cm Museo del Prado, Madrid Although we do not know when Titian first treated this subject, it was probably in 1535, when he painted a Christ for Federico Gonzaga following a…
Diane chasseresse (1867)
Renoir, Pierre-Auguste (1841-1919) Diane chasseresse (Diana) 1867 Oil on canvas, 199.5 x 129.5 cm National Gallery of Art, Washington Renoir wrote that he had produced this painting as a study of a nude, the sort of exercise that was a mainstay of…
Ecce Homo (c. 1493)
Dürer, Albrecht (1471-1528) Ecce Homo (Christ as Man of Sorrows) c.1493 Oil on panel 30 x 19 cm Staatliche Kunsthalle, Karlsruhe
Cristo crucificado (c.1632)
Velázquez, Diego (1599-1660) Cristo crucificado (Christ Crucified) c.1632 Oil on canvas, 248 x 169 cm Museo del Prado, Madrid Stylistically, this work appears to have been made in the early 1630s -soon after the artist returned from Italy– and most authors…